Immerse yourself in the captivating world of Alexander Scriabin's piano sonatas with this exceptional album, featuring the masterful performances of Anatol Ugorski. Released on January 1, 2001, by Deutsche Grammophon, this collection showcases four of Scriabin's most compelling piano sonatas: No. 2 in G-Sharp Minor, Op. 19 "Sonata Fantasy," No. 3 in F-Sharp Minor, Op. 23, No. 5, Op. 53, and No. 9, Op. 68 "Black Mass." Each piece is a testament to Scriabin's unique compositional style, blending romanticism with early modernism, and offering a rich tapestry of emotional and technical depth.
Recorded in June 2000 at the Henry Wood Hall in London, this album captures the essence of Scriabin's genius through Ugorski's nuanced and expressive playing. The sonatas are presented in their entirety, allowing listeners to experience the full scope of Scriabin's artistic vision. From the dramatic intensity of the "Sonata Fantasy" to the haunting beauty of the "Black Mass," each sonata is a journey through the composer's inner world, revealing his profound musical insights and innovative techniques.
This album is a must for any classical music enthusiast, offering a rare opportunity to delve into the works of one of the most influential composers of the late 19th and early 20th centuries. Whether you are a longtime admirer of Scriabin's music or a newcomer to his compositions, this collection is sure to leave a lasting impression. With a total duration of 57 minutes, it is a concise yet comprehensive exploration of Scriabin's piano sonatas, showcasing the full range of his musical genius.
Alexander Scriabin, born into an aristocratic Russian family in Moscow in 1872, was a composer and pianist whose musical journey was as profound and mystical as it was innovative. Initially influenced by Frédéric Chopin, Scriabin's early works are characterized by a lyrical and tonal language. However, around 1903, his style evolved dramatically, moving towards a more dissonant and transcendent musical idiom that, while not atonal, pushed the boundaries of traditional tonality. This shift was deeply influenced by his personal metaphysics, synesthesia, and theosophy, with Scriabin associating colors with harmonic tones and creating a color-coded circle of fifths.
Scriabin's ambition extended beyond music; he was drawn to the concept of Gesamtkunstwerk, aiming to create a total work of art that engaged all the senses. His compositions, particularly from the later part of his career, are not just musical pieces but explorations of the mystical and the transcendent. Despite his complex philosophical underpinnings, Scriabin's music remains accessible and deeply emotional, making him a key figure in the Russian Silver Age and a major representative of Russian symbolism. His legacy continues to inspire and intrigue, offering a rich tapestry of sound and meaning for listeners to explore.
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