Immerse yourself in the enchanting world of early 17th-century keyboard music with Corina Marti's captivating album, "Sea Interludes: Keyboard Music from Baltic Tablatures around 1600." This meticulously crafted collection, released on October 10, 2024, under the DUX Recording Producers label, offers a unique blend of historical and contemporary musical styles, spanning Swedish ballads, vallenato, and lo-fi house, all within the context of Renaissance keyboard compositions.
Comprising 40 tracks, the album spans a generous 83 minutes, providing a rich tapestry of musical exploration. Corina Marti, a renowned interpreter of early music, brings to life a diverse array of pieces sourced from Baltic tablatures, including suites, dances, and fantasias. The album features works by Hans Leo Hassler and other anonymous composers of the period, showcasing the vibrant musical culture of the Baltic region around 1600.
Each track is a testament to Marti's virtuosity and deep understanding of historical performance practices. The album opens with the intricate "Suite I: Phanthasia primi toni" and closes with the lively "Conclusion: Fuga francese," offering a journey through a variety of musical forms and moods. From the delicate "Junckfraw [dein schöne Gstalt]" to the energetic "Ein Preußnischer Tantz – Der Sprungkh drauff," Marti's performances are both technically impressive and emotionally resonant.
"Sea Interludes: Keyboard Music from Baltic Tablatures around 1600" is not just a collection of historical pieces; it is a celebration of the enduring beauty and relevance of early music. Corina Marti's interpretations breathe new life into these centuries-old compositions, making them accessible and engaging for modern audiences. Whether you are a seasoned enthusiast of early music or a curious newcomer, this album promises a rewarding and enriching listening experience.
2024 DUX Recording Producers2024 DUX Recording Producers
Tracks
Suite I: Phanthasia primi toni (PL-GDap 300. R Vv, 123, p. 2-3)Unknown, Corina Marti
Suite I: Fuga A Quatuor (LT-Va F15-284, f. 94v)Unknown, Corina Marti
Suite I: Chorea (LT-Va F15-284, f. 105r)Unknown, Corina Marti
Suite I: Ein guter Tantz – Proportion (D-Z Ms. mus. 100.6, f. 2v–3r)Unknown, Corina Marti
Suite I: Phanthasia quinti toni (PL-GDap 300. R Vv, 123, p. 16–17)Unknown, Corina Marti
Suite I: Padvan (LT-Va F15-284, f. 22r)Unknown, Corina Marti
Suite I: Fuga a4 (LT-Va F15-284, f. 22v–23r)Unknown, Corina Marti
Suite I: Polnischer Tantz – Proportion (D-Z Ms. mus. 100.6, f. 5v–6r)Unknown, Corina Marti
Suite II: Phanthasia octavi toni (PL-GDap 300. R Vv, 123, p. 28–29)Unknown, Corina Marti
Suite II: Canzon (LT-Va F15-284, f. 60v–61r)Hans Leo Hassler, Corina Marti
Suite II: Cla[u]sula in G (LT-Va F15-284, f. 5r)Unknown, Corina Marti
Suite II: Junckfraw [dein schöne Gstalt] (Hans Leo Hassler, *1564; †1612, LT-Va F15-284, f. 10r)Hans Leo Hassler, Corina Marti
Suite II: Praeambulum (LT-Va F15-284, f. 8r)Petrus de Drusina, Corina Marti
Suite II: Omnes gentes plaudite [manibus] (LT-Va F15-284, f. 56r)Unknown, Corina Marti
Suite II: Ein kurtz Schlesisch Dentzlein – Proportio (Ammerbach 1583, p. 187–188)Unknown, Corina Marti
Suite II: Polnischer Tantz – Proporz (PL-Kj Mus. ms. 40115, f. 23v–24r)Unknown, Corina Marti
Suite II: Alia phanthasia primi toni (PL-GDap 300. R Vv, 123, p. 4–5)Unknown, Corina Marti
Suite II: Ein Pollnisch [Tantz] – Proportio (A-Wn Ms. mus. 18491, f. 40v)Unknown, Corina Marti
Suite III: Phanthasia secundi toni (PL-GDap 300. R Vv, 123, p. 6–7)Unknown, Corina Marti
Suite III: Ein Feiner Polnischer Tantz – Der Sprungkh drauff (PL-Kj Mus. Ms. 40089, f. 90r–91r)Unknown, Corina Marti
Suite III: Deus in adjutorium meum intende (LT-Va F15-284, f. 3v–4r)Petrus de Drusina, Corina Marti
Suite III: Tantz (LT-Va F15-284, f. 103v–104r)Unknown, Corina Marti
Suite III: Aria polonica – Tanec (PL-Kj Mus. ms. 40147, f. 146v–147r)Unknown, Corina Marti
Suite III: Tuniec – Polonica (PL-Kj Mus. ms. 40147, f. 147v–148r)Unknown, Corina Marti
Suite III: Hertzlich thut mich erfrewen (LT-Va F15-284, f. 9v–10r)Jacob Regnart, Corina Marti
Suite III: Vulnerasti cor meum (LT-Va F15-284, f. 26v–27r)Unknown, Corina Marti
Suite III: Tantz (LT-Va F15-284, f. 2r)Unknown, Corina Marti
Suite IV: Alia toni tertii phanthasia (PL-GDap 300. R Vv, 123, p. 12-13)Unknown, Corina Marti
Suite IV: Ardant (LT-Va F15-284, f. 5v-6r)Unknown, Corina Marti
Suite IV: Polnischer Tantz (PL-Kj Mus. Ms. 40089, f. 91v-92r)Unknown, Corina Marti
Suite IV: In Domino laudabitur anima mea (LT-Va F15-284, f. 109v-110r)Unknown, Corina Marti
Suite IV: Tantz (LT-Va F15-284, f. 95v)Unknown, Corina Marti
Suite IV: Saltus (LT-Va F15-284, f. 96v)Unknown, Corina Marti
Suite IV: Passomecz (LT-Va F15-284, f. 98v)Unknown, Corina Marti
Suite IV: Chiara e lucente stella (LT-Va F15-284, f. 63v)Hans Leo Hassler, Corina Marti
Suite IV: Tantz (LT-Va F15-284, f. 103v)Unknown, Corina Marti
Conclusion: Alia phantasia sexti toni (PL-GDap 300. R Vv, 123, p. 22 )Unknown, Corina Marti
Conclusion: Chorea (LT-Va F15-284, f. 103v)Unknown, Corina Marti
Conclusion: Fuga francese (LT-Va F15-284, f. 59v-60r)Giovanni Gabrieli, Corina Marti
Conclusion: Ein Preußnischer Tantz – Der Sprungkh drauff (PL-Kj Mus. Ms. 40089, f. 90v-92r)Unknown, Corina Marti