Sirius

Coleman Hawkins' 1975 album, Sirius, is a masterclass in jazz, showcasing the legendary saxophonist's versatility and skill. Released on 1 January 1975 via Original Jazz Classics, this 41-minute collection of timeless tracks is a must-listen for fans of bebop, cool jazz, and hard bop.

Throughout the album, Hawkins' soulful playing brings new life to classic standards, including 'The Man I Love', 'Don't Blame Me', and 'Just A Gigolo'. His expressive, velvety tone is perfectly complemented by the elegant arrangements, resulting in a sophisticated and intimate listening experience.

From the melancholic 'The One I Love (Belongs To Somebody Else)' to the upbeat 'Sugar (That Sugar Baby O'Mine)', Hawkins' Sirius is a testament to his boundless talent and dedication to his craft. With its unique blend of jazz styles, this album is sure to delight both longtime fans of Coleman Hawkins and newcomers to his music. So sit back, relax, and let the smooth sounds of Sirius transport you to a bygone era of jazz greatness, courtesy of the incomparable Coleman Hawkins.

Coleman Hawkins, affectionately known as "Hawk," was a pioneering American jazz tenor saxophonist whose innovative style left an indelible mark on the genre. Born Coleman Randolph Hawkins, he began his musical journey on the piano at age five, later switching to the cello and finally settling on the tenor saxophone at nine. Hawkins is celebrated as one of the first prominent jazz musicians on his instrument, revolutionizing the tenor saxophone's role in jazz. His virtuosic, arpeggiated approach to improvisation and rich, emotional tone influenced a generation of tenor players, including the likes of Ben Webster, Charlie Barnet, and Don Byas. Hawkins' career spanned several decades, from the swing era of the big band days to the development of bebop in the 1940s. His discography is vast and varied, featuring iconic albums like "The Hawk Swings" and "The High And Mighty Hawk," showcasing his versatility and mastery of the saxophone. Hawkins' legacy endures, making him a cornerstone of jazz history.