"Something Borrowed, Something Blue" is a captivating jazz album by the renowned pianist Tommy Flanagan, released in January 1978 under the Original Jazz Classics label. This album is a testament to Flanagan's mastery of various jazz sub-genres, including hard bop, bebop, and cool jazz, all packed into a concise 38-minute experience.
The album features a mix of instrumental tracks and a single vocal piece, "Something Borrowed, Something Blue," showcasing Flanagan's versatility. The instrumental tracks, such as "Bird Song," "Good Bait," and "West Coast Blues," highlight Flanagan's exceptional piano skills and his ability to evoke a range of moods and atmospheres. The album also includes a rendition of the classic "Groovin' High," demonstrating Flanagan's deep understanding and respect for jazz tradition.
"Something Borrowed, Something Blue" was released during the height of the fusion era, but Flanagan stays true to his jazz roots, delivering a pure and authentic sound. The album was initially released on vinyl and has since become a sought-after collectible, with various pressings available from different regions, including the United States and Japan.
Flanagan's playing is both intricate and accessible, making this album an excellent introduction to his work for newcomers, while also offering seasoned jazz enthusiasts a chance to appreciate his artistry. The album's blend of familiar standards and original compositions ensures that there's something for everyone to enjoy.
Tommy Flanagan, born in Detroit, Michigan, in 1930, was a masterful American jazz pianist whose career spanned over five decades. Though underrated by some during his lifetime, Flanagan was highly respected among his musical peers for his slick technique and cool elegance. His style encompassed a range of genres, including hard bop, bebop, and cool jazz, showcasing his versatility and deep understanding of the genre. Flanagan's journey in music is a testament to his dedication and passion, culminating in his recognition as the Jazzpar winner in 1993. His recordings offer a rich tapestry of sounds that continue to inspire and captivate jazz enthusiasts worldwide.
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