SoundDance

Album Description

"SoundDance" is a captivating double album by the legendary pianist and composer Muhal Richard Abrams, released in celebration of his 80th birthday. This avant-garde jazz masterpiece is a testament to Abrams' enduring influence and innovative spirit, showcasing his extraordinary talent in two distinct yet equally enthralling free improvisation duets.

The album opens with "Focus, ThruTime...Time→ Part 1," a mesmerizing collaboration with saxophonist Fred Anderson. Their interplay is a dance of sound and silence, a conversation between two masters of their craft. The four-part "ThruTime...Time→" suite unfolds like a journey through time, each section building on the last, creating a sense of continuity and progression.

The second half of the album features Abrams in a different light, collaborating with trombonist and composer George Lewis. "SoundDance Pt. 1" through "SoundDance Pt. 4" is a tour de force of improvisation, blending the raw energy of free jazz with the sophistication of avant-garde composition. Abrams' piano playing is a whirlwind of notes and textures, while Lewis' trombone adds a rich, resonant counterpoint.

Recorded in 2010 and released on Pi Recordings, "SoundDance" is a powerful statement from one of jazz's most visionary figures. With a runtime of over an hour and twenty-three minutes, this album is a deep dive into the world of Muhal Richard Abrams, offering a glimpse into the mind of a true innovator. Whether you're a seasoned jazz aficionado or a curious newcomer, "SoundDance" is an essential addition to your music collection, a celebration of improvisation, and a testament to the enduring power of jazz.

1 januari 2011

2011 Pi Records, Inc.

About Muhal Richard Abrams

Muhal Richard Abrams was a pioneering figure in the world of free jazz, renowned for his innovative compositions and virtuosic performances on piano, clarinet, and cello. Born in 1930, Abrams' musical journey began in the vibrant jazz scene of Chicago, where he founded the Experimental Band in 1962, a group that would later evolve into the Association for the Advancement of Creative Musicians (AACM). This organization, which Abrams co-founded, became a crucible for avant-garde jazz, nurturing talents like Roscoe Mitchell and Anthony Braxton.

Abrams' discography spans nearly three decades, showcasing his unique ability to blend various musical influences into a cohesive and powerful sound. Albums like "Spihumonesty," "Mama and Daddy," and "Blues Forever" highlight his mastery of free jazz and avant-garde styles, while his live performances with his orchestra, sextet, quartet, and as a solo pianist captivated audiences across the United States, Canada, and Europe. His work is characterized by a profound sense of gravitas and a timeless quality that sets it apart in the jazz canon. Abrams' legacy as a composer, educator, and organizational architect continues to inspire musicians and enthusiasts alike, cementing his place as a true innovator in the world of jazz.