"Split Kick," the final album from legendary Canadian pianist and free jazz composer Paul Bley, is a testament to his enduring genius and innovative spirit. Released on December 31, 2013, under the Wild Plantage label, this album is a compelling blend of free jazz, jazz, and cool jazz, showcasing Bley's unique musical vision.
The album features a diverse tracklist that includes both original compositions and reinterpretations of classic standards. From the upbeat energy of "52nd Street Theme" and "Walkin'" to the tender ballads like "My One And Only" and "There Will Never Be Another You," Bley's piano work is both technically impressive and deeply expressive. The album also includes festive tracks like "Santa Claus Is Coming To Town," adding a touch of holiday cheer.
"Split Kick" is a fitting swan song for Bley, who passed away in January 2016 at the age of 83. The album features standout tracks like "Drum One" and "Topsy," which highlight Bley's improvisational skills and his ability to push the boundaries of traditional jazz. The album's duration of 1 hour and 8 minutes ensures that listeners can fully immerse themselves in Bley's musical world.
Throughout his career, Paul Bley was known for his collaborations with other major musicians, and "Split Kick" continues that tradition with its dynamic and engaging compositions. Whether you're a longtime fan of Bley's work or a newcomer to his music, "Split Kick" is an essential addition to any jazz collection.
Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.
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