Passio Domini nostri Jesu Christi secundum Joannem, Scene 1: "Passio Domini nostri Jesu Christi secundum Joannem"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer
Passio Domini nostri Jesu Christi secundum Joannem, Scene 1: "Jesus itaque sciens omnia quæ ventura erant"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam, Coro da Camera di Varese
Passio Domini nostri Jesu Christi secundum Joannem, Scene 1: "Cohors ergo, et tribunus"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer
Passio Domini nostri Jesu Christi secundum Joannem, Scene 2: "Sequebatur autem Jesum Simon Petrus"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Mirko Guadagnini, Peggy Bélanger
Passio Domini nostri Jesu Christi secundum Joannem, Scene 3: "Pontifex ergo interrogavit Jesum de discipulis suis"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam, Mirko Guadagnini
Passio Domini nostri Jesu Christi secundum Joannem, Scene 4: "Erat autem Simon Petrus stans, et calefaciens se"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Coro da Camera di Varese, Doron Schleifer, Mirko Guadagnini
Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Adducunt ergo Jesum a Caipha in prætorium"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Mirko Guadagnini, Coro da Camera di Varese
Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Introivit ergo iterum in prætorium Pilatus" - Aria, "Domine, tu es veritas, vita mea et salus mea"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam, Mirko Guadagnini, Barbara Schmidt-Gaden
Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Et cum hoc dixisset, iterum exivit ad Judæos"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Coro da Camera di Varese, Mirko Guadagnini, Krystian Adam
Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Cum ergo audisset Pilatus hunc sermonem, magis timuit"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Mirko Guadagnini, Doron Schleifer, Krystian Adam
Passio Domini nostri Jesu Christi secundum Joannem, Scene 6: "Et exinde quærebat Pilatus dimittere eum"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Coro da Camera di Varese, Mirko Guadagnini
Passio Domini nostri Jesu Christi secundum Joannem, Scene 7: "Susceperunt autem Jesum" - Aria, "Mi Jesu, salus mea, in ligno crucis langues!"Francesco Feo, Francesco Gasparini, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Barbara Schmidt-Gaden
Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Et cum eo alios duos hinc et hinc, medium autem Jesum"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Mirko Guadagnini, Coro da Camera di Varese
Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Milites ergo cum crucifixissent eum"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Coro da Camera di Varese
Passio Domini nostri Jesu Christi secundum Joannem, Scene 8: "Stabant autem juxta crucem Jesu mater ejus"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer, Krystian Adam
Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Krystian Adam, Doron Schleifer
Passio Domini nostri Jesu Christi secundum Joannem, Scene 10: "Judæi ergo quoniam parasceve erat"Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Doron Schleifer
Immerse yourself in the profound and sacred music of Francesco Feo with the "St John Passion," a captivating rendition of the Passion of Christ according to the Gospel of John. Released on January 1, 2009, under the Passacaille label, this album is a testament to Feo's mastery of Baroque composition, offering a deeply moving and spiritually resonant experience.
Spanning a duration of 1 hour and 1 minute, the album is a meticulous and dramatic retelling of the Passion narrative, divided into ten scenes. Each scene is a rich tapestry of vocal and instrumental passages, featuring arias and recitatives that bring to life the poignant moments of Christ's final hours. The album's centerpiece, the aria "Mi Jesu, salus mea, in ligno crucis langues!", is a particularly haunting and beautiful moment that showcases the depth of Feo's musical expression.
Francesco Feo, an understudied yet significant composer of the Baroque era, brings a unique Italian perspective to the Passion oratorio. His work stands alongside other notable composers of the time, such as Alessandro Scarlatti, and offers a compelling alternative to the more well-known settings by Bach. The "St John Passion" is not just a musical performance but a journey through the sacred text, inviting listeners to reflect on the profound themes of sacrifice, redemption, and faith.
This album is a must for enthusiasts of Baroque music and those seeking a deeper understanding of the Passion narrative. Feo's compositional skill and the powerful storytelling in this work make it a standout piece in the realm of sacred music. Whether you are a seasoned listener of classical music or new to the genre, the "St John Passion" by Francesco Feo is an album that will leave a lasting impression.
(C) 2010 Passacaille 964(P) 2009 Passacaille
About Francesco Feo
Francesco Feo (1691-1761) was a prominent Italian composer and teacher, renowned for his significant contributions to the Neapolitan school of music. Born and raised in Naples, Feo's musical journey began at the prestigious Conservatorio di Santa Maria della Pietà dei Turchini, where he studied under esteemed maestros Andrea Basso and Nicola Fago. His prolific career spanned several decades, during which he composed numerous operas, oratorios, sacred dramas, cantatas, and sacred music, including masses, passion music, and a notable Requiem.
Feo's operas, premiered primarily in Naples, showcased his mastery of vocal virtuosity and dramatic expression. His works, often set to librettos by celebrated poets like Metastasio, were highly acclaimed during his time. Beyond his operatic achievements, Feo's sacred compositions, such as his Missa and Confitebor, demonstrate his deep spiritual and musical insight.
As a teacher, Feo mentored many notable students, including the renowned composer Niccolò Jommelli. His influence extended through his roles as maestro at various conservatories and churches in Naples, where he continued to inspire and educate the next generation of musicians. Feo's legacy endures as a testament to his enduring impact on Italian music and his pivotal role in the Neapolitan musical tradition.
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