Stanford: Cushendall, Op. 118 & Other Song Cycles

Dive into the enchanting world of Charles Villiers Stanford's song cycles with this captivating collection, featuring a trio of renowned artists: mezzo-soprano Sharon Carty, baritone Benjamin Russell, and pianist Finghin Collins. This album showcases Stanford's mastery of Irish folk influences and his unique compositional voice, offering a rich tapestry of choral and vocal works that celebrate the spirit and landscapes of Ireland.

The centerpiece of the album is "Cushendall, Op. 118," a seven-part song cycle based on the poetry of John Stevenson. This work, completed in 1910, is a testament to Stanford's ability to weave traditional Irish themes into his compositions, creating a deeply evocative and lyrical experience. The album also includes "A Fire of Turf, Op. 139," and "A Sheaf of Songs from Leinster, Op. 140," both composed in 1913, which further explore Stanford's affinity for Irish folk music and poetry.

In addition to these song cycles, the album features three Blarney Ballads, with lyrics by Charles Graves, and two songs from Stanford's opera "Shamus O'Brien, Op. 61." These selections provide a broader perspective on Stanford's versatility and his enduring contribution to the choral and vocal repertoire.

Recorded in 2023 at The Menuhin Hall, Stoke d’Abernon, this album benefits from the exceptional talents of Sharon Carty, Benjamin Russell, and Finghin Collins, who bring these works to life with sensitivity and virtuosity. Whether you are a longtime admirer of Stanford's music or a newcomer to his compositions, this album offers a compelling introduction to the rich and varied world of Charles Villiers Stanford's song cycles.

Charles Villiers Stanford, an eminent figure of the late Romantic era, was an Anglo-Irish composer, conductor, and music educator whose influence resonates through the generations. Born into a musically inclined family in Dublin, Stanford's journey took him from the halls of the University of Cambridge to the prestigious music conservatories of Leipzig and Berlin. His contributions to the musical world are vast, notably his role in elevating the Cambridge University Musical Society to international acclaim. Stanford's compositions, particularly his choral works and requiems, are celebrated for their depth and emotional resonance, earning him the title of Ireland's most prolific composer. His legacy endures, inspiring countless musicians and composers, including the likes of Ralph Vaughan Williams and Gustav Holst. Stanford's Anglican cathedral music remains a staple in the repertoire, a testament to his enduring impact on the world of music.