Immerse yourself in the rich tapestry of Charles Villiers Stanford's choral masterpieces with "Partsongs, Pastorals and Folksongs," a captivating collection released by The Sixteen under the esteemed CORO label. This album, set to debut on September 6, 2024, is a testament to Stanford's enduring legacy, celebrating the centenary of this Anglo-Irish composer's profound impact on the classical music world.
Spanning a generous 75 minutes, this album features 17 premiere recordings, each a gem that showcases Stanford's versatility and deep connection to his Irish heritage. The tracklist is a delightful blend of Irish folksongs, partsongs, and Elizabethan pastorals, offering a comprehensive journey through Stanford's choral repertoire. From the hauntingly beautiful "Oh! Breathe Not His Name" to the lively "Awake, Awake, Fianna," each piece is a testament to Stanford's ability to evoke a range of emotions and atmospheres.
Conducted by the renowned Harry Christophers, The Sixteen delivers a performance of unparalleled precision and passion. Their voices weave together seamlessly, bringing Stanford's compositions to life with a clarity and depth that is sure to resonate with both seasoned classical enthusiasts and newcomers alike. Whether you're drawn to the traditional melodies of the Irish folksongs or the intricate harmonies of the partsongs, this album promises a rewarding listening experience.
"Partsongs, Pastorals and Folksongs" is not just a collection of songs; it's a celebration of Charles Villiers Stanford's musical genius and his enduring influence on choral music. With its diverse range of pieces and impeccable performances, this album is a fitting tribute to a composer whose work continues to inspire and captivate audiences worldwide.
(C) 2024 The Sixteen Productions Ltd(P) 2024 The Sixteen Productions Ltd
Tracks
Six Irish Folksongs, Op. 78: No. 1, Oh! Breathe Not His NameCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 2, What the Bee is to the Flow’retCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 3, At the Mid Hour of NightCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 4, The sword of ErinCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 5, It is Not the TearCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 6, Oh, The Sight EntrancingCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 1, PlightedCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 2, VenetaCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 3, When Mary Thro' the Garden WentCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 4, The HavenCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 5, The GuestCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 6, LarghettoCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 7, WilderspinCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 8, To a TreeCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 1, To His FlocksCharles Villiers Stanford, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 2, DiapheniaCharles Villiers Stanford, Henry Constable, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 3, Damon's PassionCharles Villiers Stanford, Thomas Lodge, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 4, Sweet Love For MeCharles Villiers Stanford, Sir John Wotton, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 5, Corydon, Arise!Charles Villiers Stanford, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 6, PhoebeCharles Villiers Stanford, Thomas Lodge, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 1, 'Twas Pretty to be in BallinderryCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 2, Come, Rest in This BosomCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 3, Silence is in Our Festal HallsCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 4, Wreathe the BowlCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 5, When She Answered MeCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 6, She is Far From the LandCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 7, St Mary's BellsCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 8, Awake, Awake, FiannaCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 9, Molly HewsonCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Five Partsongs: No. 3, Emer's Farewell to Cucullain (Londonderry Air) - Bonus TrackCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Charles Villiers Stanford, an eminent figure of the late Romantic era, was an Anglo-Irish composer, conductor, and music educator whose influence resonates through the generations. Born into a musically inclined family in Dublin, Stanford's journey took him from the halls of the University of Cambridge to the prestigious music conservatories of Leipzig and Berlin. His contributions to the musical world are vast, notably his role in elevating the Cambridge University Musical Society to international acclaim. Stanford's compositions, particularly his choral works and requiems, are celebrated for their depth and emotional resonance, earning him the title of Ireland's most prolific composer. His legacy endures, inspiring countless musicians and composers, including the likes of Ralph Vaughan Williams and Gustav Holst. Stanford's Anglican cathedral music remains a staple in the repertoire, a testament to his enduring impact on the world of music.
Vinylscout
Charles Villiers Stanford
