"Mantra," composed by the pioneering German avant-garde composer Karlheinz Stockhausen, is a seminal work that stands as a testament to his innovative spirit and musical genius. Originally composed in 1970 and premiered at the Donaueschingen Festival, this album, released in 1988 on New Albion Records, offers a unique sonic experience that blends elements of avant-garde, krautrock, experimental, and minimalist genres.
The album features a performance of Stockhausen's "Mantra," a composition scored for two ring-modulated pianos, each accompanied by a chromatic set of crotales (antique cymbals) and a wood block. One pianist is also equipped with a short-wave radio producing Morse code, adding an extra layer of complexity and intrigue to the piece. The performance is brought to life by the skilled pianists Alfons and Aloys Kontarsky, with meticulous recording and production overseen by Klaus Hiemann and Dr. Rudolf Werner.
"Mantra" is not just an album; it is a journey through Stockhausen's unique musical landscape. The work is characterized by its strong current of mysticism, humor, and playfulness, seamlessly weaving together brooding romanticism, avant-garde bravura, crashing dissonances, and cosmological musings. The composition is a reflection of Stockhausen's lifelong principles, incorporating serial techniques and innovative sound manipulation.
The album's 17 tracks, spanning a total duration of 69 minutes and 31 seconds, provide a comprehensive exploration of Stockhausen's groundbreaking composition. Each track offers a distinct segment of the larger work, allowing the listener to delve deep into the intricate layers of sound and structure that define "Mantra."
For fans of experimental music and those seeking to explore the boundaries of classical composition, "Mantra" is an essential addition to any collection. This album showcases Karlheinz Stockhausen's enduring influence and his ability to push the limits of musical expression.