Streaming

Album Description

"Streaming" is a captivating exploration of avant-garde jazz, showcasing the masterful improvisational skills of Muhal Richard Abrams, George Lewis, and Roscoe Mitchell. Released on May 8, 2006, via Pi Recordings, this album is a testament to the rich history and innovative spirit of the Association for the Advancement of Creative Musicians (AACM), which Abrams co-founded. The album features five extended compositions that span over an hour and thirteen minutes, offering a deep dive into the world of free jazz and experimental music.

The album opens with "Scrape," a ten-minute piece that sets the tone for the rest of the record with its raw, unfiltered energy. "Bound" follows, showcasing the trio's ability to create intricate, interwoven musical dialogues. "Dramaturns" and "Soundhear" continue to push the boundaries of traditional jazz, with Abrams' piano, Lewis' trombone, and Mitchell's saxophone creating a unique sonic landscape. The album concludes with the title track, "Streaming," a fitting finale that encapsulates the album's spirit of exploration and innovation.

"Streaming" is not just an album; it's a journey through the minds of three legendary musicians who have dedicated their lives to pushing the boundaries of jazz. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a unique and rewarding listening experience. The album's packaging and presentation are also noteworthy, reflecting the care and attention to detail that went into its creation. So, grab a pair of headphones, sit back, and let the music of Muhal Richard Abrams, George Lewis, and Roscoe Mitchell transport you to a world of sonic exploration and discovery.

8 mei 2006

2006 Pi Records, Inc.

About Muhal Richard Abrams

Muhal Richard Abrams was a pioneering figure in the world of free jazz, renowned for his innovative compositions and virtuosic performances on piano, clarinet, and cello. Born in 1930, Abrams' musical journey began in the vibrant jazz scene of Chicago, where he founded the Experimental Band in 1962, a group that would later evolve into the Association for the Advancement of Creative Musicians (AACM). This organization, which Abrams co-founded, became a crucible for avant-garde jazz, nurturing talents like Roscoe Mitchell and Anthony Braxton.

Abrams' discography spans nearly three decades, showcasing his unique ability to blend various musical influences into a cohesive and powerful sound. Albums like "Spihumonesty," "Mama and Daddy," and "Blues Forever" highlight his mastery of free jazz and avant-garde styles, while his live performances with his orchestra, sextet, quartet, and as a solo pianist captivated audiences across the United States, Canada, and Europe. His work is characterized by a profound sense of gravitas and a timeless quality that sets it apart in the jazz canon. Abrams' legacy as a composer, educator, and organizational architect continues to inspire musicians and enthusiasts alike, cementing his place as a true innovator in the world of jazz.