Suite No. 2 in G Minor, IMM. 21

Immerse yourself in the timeless elegance of Baroque music with Marin Marais' "Suite No. 2 in G Minor, IMM. 21," expertly performed by Sayura Takoshima. Released on July 18, 2018, this album is a captivating journey through the intricate and refined compositions of one of the most celebrated French composers of the late 17th and early 18th centuries. Marin Marais, renowned for his mastery of the viola da gamba, presents a suite that is both technically demanding and beautifully expressive.

This album features 13 meticulously crafted tracks, each showcasing the depth and versatility of Marais' musical genius. From the hauntingly beautiful "Prélude" to the lively "Rondeau" and the contemplative "Passacaille," every piece is a testament to Marais' ability to evoke a range of emotions and atmospheres. The suite includes a variety of dance movements and reflective pieces, providing a rich tapestry of sounds that highlight the elegance and sophistication of the Baroque era.

Sayura Takoshima's performance is nothing short of breathtaking, capturing the essence of Marais' compositions with precision and passion. The album's duration of 41 minutes offers a concise yet comprehensive exploration of Marais' artistry, making it an ideal addition to any classical music enthusiast's collection. Whether you are a seasoned admirer of Baroque music or a newcomer to the genre, "Suite No. 2 in G Minor, IMM. 21" promises an enriching and enjoyable listening experience.

Marin Marais, born in Paris in 1656, was a virtuoso viol player and prolific composer whose music continues to captivate audiences today. Studying under the renowned Jean-Baptiste Lully and the master of the bass viol, Monsieur de Sainte-Colombe, Marais honed his skills to become one of the most celebrated musicians of his time. His compositions, which include five books of Pièces de viole and four operas, are a testament to his mastery of the viol and his innovative approach to music. Marais's career flourished at the royal court of Versailles, where he was appointed as a court musician in 1676 and later became the conductor of the Paris Opera. His works, characterized by their expressive and often programmatic nature, have left an indelible mark on the Baroque era, making him a central figure in the French school of bass-viol composers and performers. Beyond his musical prowess, Marais's personal life was equally vibrant, fathering 19 children and entertaining the French royal family with his enchanting compositions.