Swingin' in Seattle Live at the Penthouse 1966-1967

Cannonball Adderley's 'Swingin' in Seattle Live at the Penthouse 1966-1967' is a captivating jazz album that embodies the essence of his iconic live performances. Released on 10 July 2020 by Cellar Live, this 1 hour and 13-minute masterpiece showcases Adderley's incredible talent, blending genres such as hard bop, jazz, bebop, cool jazz, and jazz blues.

The album features a collection of live tracks, including 'The Girl Next Door', 'Sticks', 'Manhã De Carnaval', and 'Somewhere', each demonstrating Adderley's unique ability to craft mesmerising melodies and solos. The inclusion of spoken introductions and outros, courtesy of Jim Wilke, adds a personal touch to the recording, providing insight into the context and atmosphere of the performances.

With tracks like '74 Miles Away', 'Back Home Blues', and 'Hippodelphia', Cannonball Adderley's 'Swingin' in Seattle Live at the Penthouse 1966-1967' is a testament to his skill as a musician and his capacity to evoke emotion through his music. This album is a must-listen for fans of jazz and those seeking to experience the magic of Cannonball Adderley's live performances.

Cannonball Adderley, born Julian Edwin Adderley, was a titan of the jazz world, renowned for his powerful and soulful alto saxophone playing. Emerging in the 1950s, Adderley became a key figure in the hard bop movement, known for his exhilarating performances and innovative approach to jazz. His career was marked by collaborations with some of the genre's greatest names, including Miles Davis, with whom he recorded the classic album "Somethin' Else." Adderley's distinctive sound and charismatic stage presence made him a beloved figure in jazz, and his fusion of jazz and soul music resulted in crossover hits like "Mercy, Mercy, Mercy." Throughout his career, Adderley's music was characterized by its exuberance and melodic depth, making him one of the most influential and popular jazz musicians of his era. His legacy endures through his extensive discography, which spans from the mid-1950s to the mid-1970s, and includes a diverse range of styles and formats.