"Synergetics - Phonomanie III" is a sprawling, two-disc exploration of free jazz and avant-garde music by the legendary saxophonist Evan Parker, released in 1996 on Leo Records. Clocking in at over two and a half hours, this monumental work is a testament to Parker's virtuosity and his enduring influence on the genre. The album features Parker in a trio setting with George Haslam on tenor saxophone and John Edwards on double bass, creating a rich tapestry of sound that pushes the boundaries of traditional jazz.
The album is structured around nineteen tracks, each titled "Synergetics No. X," reflecting the collaborative and interconnected nature of the music. Parker's signature circular breathing technique is on full display, allowing him to produce long, unbroken lines of sound that weave in and out of the ensemble's collective improvisations. Haslam and Edwards provide a solid foundation, their interplay with Parker resulting in a dynamic and engaging listening experience.
"Synergetics - Phonomanie III" is not just an album; it's a journey through the mind of one of jazz's most innovative and influential figures. The extended duration of the tracks allows for a deep dive into the creative process, with each performance unfolding organically and unpredictably. Fans of free jazz and avant-garde music will find much to appreciate in this ambitious and challenging work. The album's historical significance and the sheer skill on display make it a standout release in Evan Parker's extensive discography.
Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.
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