Immerse yourself in the rich tapestry of Sergei Taneyev's musical genius with this captivating album, featuring two of his most significant works: the "Suite de Concert, Op. 28" and the cantata "Ioann Damaskin (John of Damascus)." This recording, released by Naxos in 2009, offers a compelling journey through Taneyev's compositional prowess, showcasing his unique blend of Russian romanticism and classical rigor.
The "Suite de Concert, Op. 28" is a late masterpiece, composed in 1908-09, and is Taneyev's sole composition for solo violin and orchestra. Dedicated to the renowned violinist Leopold Auer, this five-movement suite is a virtuoso showcase, demanding exceptional skill and expressiveness from the soloist. The suite begins with a somber "Prelude" and progresses through a series of contrasting movements, including a lively "Gavotte," a whimsical "Marchen," and a set of intricate "Theme and Variations" that culminate in a thrilling "Tarantella."
Complementing the suite is the cantata "Ioann Damaskin," a profound and introspective work based on texts by Aleksey Tolstoy. This three-movement cantata explores themes of faith, doubt, and the human condition, with Taneyev's characteristic harmonic language and contrapuntal mastery on full display.
The album features the stellar performances of violinist Ilya Kaler, the Russian Philharmonic Orchestra, and the Gnesin Academy Chorus, all conducted by Thomas Sanderling. With a total duration of 71 minutes, this recording offers a comprehensive exploration of Taneyev's artistry, making it an essential addition to any classical music enthusiast's collection.
2009 Naxos2009 Naxos
Tracks
Ioann Damaskin (John of Damascus), Op. 1: Idu v nevedomiy mne put' (I begin a journey into the unknown): Adagio ma non troppoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Ioann Damaskin (John of Damascus), Op. 1: No vechnim snom poka ya splyu (But while I sleep with the eternal sleep): Andante sostenutoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Ioann Damaskin (John of Damascus), Op. 1: V tot den', kogda truba (On the day when a trumpet): AllegroSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: I. Prelude: GraveSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: II. Gavotte: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: III. Marchen (The Fairy Tale): AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Theme: AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 2: Allegro energicoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 3: Tempo di valseSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 4: Fuga doppia: Allegro moltoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 5: Presto scherzandoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 6: Tempo di mazurka, Allegro con fuocoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Final Variation and CodaSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: V. Tarantella: PrestoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling