Immerse yourself in the enchanting world of Georg Philipp Telemann's "Pastorelle en musique," a captivating pastoral serenade that showcases the composer's mastery of the Baroque era. This delightful collection, released on Deutsche Harmonia Mundi, is a treasure trove of 41 tracks that span nearly two hours of pure musical bliss. Telemann, renowned for his prolific output and innovative spirit, presents a charming pastiche of arias, recitatives, choruses, and instrumental pieces that paint a vivid sonic landscape.
Recorded by the esteemed Ensemble 1700 under the direction of Dorothee Oberlinger, this album features a stellar cast of vocalists and instrumentalists, including Lydia Teuscher, Marie Lys, Florian Götz, and Virgil Hartinger. The ensemble's commitment to historical performance practices brings Telemann's music to life with authenticity and vitality, making this recording a standout in the Baroque repertoire.
"Pastorelle en musique" was discovered in 2001 as part of the archive of the Berlin Sing-Akademie, and its subsequent performances have captivated audiences worldwide. The work is a testament to Telemann's ability to blend French and German musical styles, creating a unique and engaging listening experience. From the lively opening concerto to the tender arias and the playful choruses, each piece is a gem that reveals Telemann's genius for melody and harmony.
This album is a celebration of Telemann's enduring legacy, offering a rich tapestry of sounds that transport the listener to the pastoral scenes of 18th-century Europe. Whether you're a seasoned classical enthusiast or a newcomer to the genre, "Pastorelle en musique" promises an enchanting journey through the musical landscapes of one of history's most prolific composers.
(P) 2022 rbbKultur/Sony Music Entertainment Germany GmbH
Tracks
Pastorelle en Musique, TWV deest: No. 1, ConcertoGeorg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700
Pastorelle en Musique, TWV deest: No. 2, Das süße Lieben nach Wunsch zu üben/Aimons sans cesse (Chorus)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 4, Regne amour (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 5, Wohlan, so lasst uns dann (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher, Florian Götz, Virgil Hartinger
Pastorelle en Musique, TWV deest: No. 6, Lasst uns Liebesrosen brechen (Aria & Chorus)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 7, Freiheit soll die Losung sein (Trio/Duet/Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Marie Lys, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 8b, Vos rigeurs, mon enfant (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 8c, Ich kann dich nicht verstehen (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher
Pastorelle en Musique, TWV deest: No. 9, Ich scheide von hinnen mit lachenden Sinnen (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher
Pastorelle en Musique, TWV deest: No. 10, Ach Iris, so entschließ dich (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Marie Lys, Alois Mühlbacher
Pastorelle en Musique, TWV deest: No. 11, Lippen, wollt ihr mich betrüben (Aria Cavatina)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher
Pastorelle en Musique, TWV deest: No. 12, Ich flehe noch einmal (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Marie Lys, Alois Mühlbacher
Pastorelle en Musique, TWV deest: No. 13, Soll ich lieben? (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Marie Lys
Pastorelle en Musique, TWV deest: No. 14, Es will mich fast verdrießen (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger
Pastorelle en Musique, TWV deest: No. 15 & 16, Gar zu ekel sein im Freien (Aria & Menuet)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger
Pastorelle en Musique, TWV deest: No. 17, Euch, ihr Sterne, sei's geklaget (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 18, Herr Damon, nun, wie geht's wie steht's mit eurer Löffelei? (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger, Florian Götz
Pastorelle en Musique, TWV deest: No. 19, Will's beim Freien immer schneien (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger
Pastorelle en Musique, TWV deest: No. 21, Rufet Triumph (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher
Pastorelle en Musique, TWV deest: No. 22, Amour des maux (Plainte)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 23, Warum doch stets betrübt und voller Tränen (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher, Florian Götz
Pastorelle en Musique, TWV deest: No. 24, Kein Mädchen kann auf Erden/Il n'est point de bergere (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Alois Mühlbacher
Pastorelle en Musique, TWV deest: No. 25, Dir ahnet was (Aria)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher
Pastorelle en Musique, TWV deest: No. 26, Ich weiß nicht, was ich denken soll (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher
Pastorelle en Musique, TWV deest: No. 27, SinfoniaGeorg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700
Pastorelle en Musique, TWV deest: No. 28, Wo mich die Augen nicht betrügen (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 29, Schlaf sanft, Du schönes Haupt (Chorus)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 30, Kleine Vögel, schweiget still (Arioso)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Florian Götz
Pastorelle en Musique, TWV deest: No. 29a, Dormez beaux yeux (Chorus da capo)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 31, Ach, welch ein Ungemach/Ich will sterben (Recitative & Arioso)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Florian Götz
Pastorelle en Musique, TWV deest: No. 32, Du setzest meinen Geist (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Marie Lys
Pastorelle en Musique, TWV deest: No. 33, Wir sind vergnügt (Duet)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Marie Lys, Alois Mühlbacher, Evgeny Sviridov
Pastorelle en Musique, TWV deest: No. 34, Es fehlt nicht viel, du rührest mich (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Alois Mühlbacher, Florian Götz
Pastorelle en Musique, TWV deest: No. 35, IntradaGeorg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700
Pastorelle en Musique, TWV deest: No. 36, Was will ich mich noch viel mit Zweifelmut/Wir rufen Glück zu (Recitative & Chorus)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Florian Götz, Marie Lys, Alois Mühlbacher, Vocalconsort Berlin
Pastorelle en Musique, TWV deest: No. 37, Nimm die Hand (Duet)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Florian Götz
Pastorelle en Musique, TWV deest: No. 38, So hat sich's endlich doch geschickt (Recitative)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Virgil Hartinger
Pastorelle en Musique, TWV deest: No. 39, Ihr treuen Herzen/Bergeres fidelles (Chorus)Georg Philipp Telemann, Dorothee Oberlinger, Ensemble 1700, Lydia Teuscher, Florian Götz, Marie Lys, Alois Mühlbacher, Virgil Hartinger, Vocalconsort Berlin
Georg Philipp Telemann, born in Magdeburg in 1681, stands as one of the most prolific composers in music history, with over 3,000 surviving works to his name. A true polymath of the Baroque era, Telemann was a multi-instrumentalist and a master of various musical styles and genres. His compositions span operas, oratorios, cantatas, concertos, and chamber music, reflecting his deep understanding and appreciation of both sacred and secular music.
Telemann's influence was immense, and he was held in high regard by his contemporaries, including Johann Sebastian Bach and George Frideric Handel. Bach, in fact, named his son Carl Philipp Emanuel after Telemann, a testament to the esteem in which he held his friend. Telemann's music is renowned for its incorporation of diverse national styles, a testament to his cosmopolitan outlook and musical curiosity.
Self-taught in music, Telemann's journey was one of passion and dedication. He served as a Kapellmeister, Kantor, and director of musical societies in various courts and cities, leaving an indelible mark on the musical landscape of his time. His legacy endures, celebrated for its versatility, innovation, and sheer volume, making Telemann a pivotal figure in the transition from the Baroque to the Classical period.