Testing 1-2-3-4

Album Description

"Testing 1-2-3-4" is a captivating journey into the sophisticated world of Danish jazz, as crafted by the talented Thomas Agergaard. Released on May 29, 2020, via April Records & Music Co., this album is a testament to the rich and enduring jazz scene in Denmark. With a runtime of just 36 minutes, the album is a concise yet powerful exploration of jazz and free jazz genres.

The album features nine tracks, each offering a unique perspective on the jazz tradition. From the opening notes of "For Men in Love" to the closing track "When Pop is Not Enough (Pop)," Agergaard's compositions are both innovative and deeply rooted in the jazz canon. Standout tracks like "Her Arms Came Along" and "Still Waiting" showcase Agergaard's ability to blend intricate melodies with improvisational flair, creating a sound that is both familiar and fresh.

Agergaard's work on "Testing 1-2-3-4" is a testament to his skill as a composer and performer, and it serves as a reminder of the vibrant and dynamic nature of the Danish jazz scene. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album is sure to captivate and inspire.

29 mei 2020

(P) 2020 April Records & Music Co.

About Thomas Agergaard

Thomas Agergaard is a versatile and experimental Danish composer, saxophonist, and flutist renowned for his distinctive Nordic sound and deep roots in the American jazz tradition. Born in 1962, Agergaard has honed his craft over decades, collaborating with legendary musicians such as John Tchicai, Miroslav Vitous, and Marilyn Mazur. His music seamlessly blends jazz with avant-garde and classical elements, reflecting influences from Wayne Shorter and John Coltrane to John Cage.

Agergaard's career is marked by innovation and versatility. He has served as a composer-in-residence and has been recognised with numerous awards, including the Danish Jazz Federation's Honour Prize and multiple grants from the Danish Arts Foundation. Whether performing with his quartet, collaborating with other renowned artists, or composing for unique ensembles like the trio that incorporates paper into their performances, Thomas Agergaard continues to push the boundaries of jazz, creating music that is both intellectually stimulating and emotionally resonant.