Jauchzet Gott in allen Landen, BWV 51: I. Aria. Jauchzet Gott in allen Landen (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter, Pierre Thibaud
Jauchzet Gott in allen Landen, BWV 51: II. Recit. Wir beten zu dem Tempel an (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Jauchzet Gott in allen Landen, BWV 51: III. Aria. Höchster, Höchster mache deine Güte (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Jauchzet Gott in allen Landen, BWV 51: IV. Chorale. Sei Lob und Preis mit EhrenJohann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Jauchzet Gott in allen Landen, BWV 51: V. Aria. Alleluja (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter, Pierre Thibaud
Mein Herze schwimmt im Blut, Cantata BWV 199: VIII. "Wie freudig ist mein Herz"Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Meine Seel erhebt den Herren, Cantata BWV 10: II. "Herr, der du stark und mächtig bist"Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Also hat Gott die Welt geliebt, Cantata BWV 68: II. "Mein gläubiges Herze"Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Schmücke dich, o liebe Seele, Cantata BWV 180: V. "Lebens Sonne, Licht der Sinnen"Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Ich hatte viel Bekümmernis, BWV 21: III. Aria. Seufzer, Tränen, Kummer, Not (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. Ich will dir mein Herz schenken (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria & Chorus. So ist mein Jesus nun gefangen – Sind Blitze, sind Donner (Soprano, Alto, Chorus)Johann Sebastian Bach, Edith Mathis, Janet Baker, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor, Regensburger Domspatzen, Georg Ratzinger
Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. Aus Liebe will mein Heiland Sterben (Soprano)Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Messiah, HWV 56 - Arr. Mozart as Der Messias, K.572 / Part 3: No.45 "Ich weiß, daß mein Erlöser lebt"George Frideric Handel, Edith Mathis, Vienna Radio Symphony Orchestra, Sir Charles Mackerras
Messiah, HWV 56 - Arr. Mozart as Der Messias, K.572 / Part 2: No.38 "Wie lieblich ist der Boten Schritt"George Frideric Handel, Edith Mathis, Vienna Radio Symphony Orchestra, Sir Charles Mackerras
Messiah, HWV 56 - Arr. Mozart as Der Messias, K.572 / Part 1: No.20 "Er weidet seine Herde"George Frideric Handel, Edith Mathis, Vienna Radio Symphony Orchestra, Sir Charles Mackerras
Die Jahreszeiten - Hob. XXI:3 - Der Frühling: No. 8a Freudenlied: "O wie lieblich ist..."Joseph Haydn, Edith Mathis, Siegfried Jerusalem, Dietrich Fischer-Dieskau, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner
Die Jahreszeiten - Hob. XXI:3 - Der Winter: No. 36 Lied mit Chor: "Ein Mädchen, das auf Ehre hielt"Joseph Haydn, Edith Mathis, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner
Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. "Nun beut die Flur das frische Grün"Joseph Haydn, Edith Mathis, Academy of St. Martin in the Fields, Sir Neville Marriner
Die Schöpfung Hob. XXI:2 - Zweiter Teil: 14. Rez.: Und Gott sprach: Es bringe das Wasser - 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolzJoseph Haydn, Edith Mathis, Academy of St. Martin in the Fields, Sir Neville Marriner
Die Schöpfung Hob. XXI:2 - Dritter Teil: 32. Duett: Holde Gattin, dir zur Seite - Der tauende MorgenJoseph Haydn, Edith Mathis, Dietrich Fischer-Dieskau, Academy of St. Martin in the Fields, Sir Neville Marriner
Requiem, K. 626: IIId. RecordareWolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Hans Haselböck
Stabat Mater, Op. 58, B. 71: VIII. Fac ut portem Christi mortem (Soprano & Alto)Antonín Dvořák, Edith Mathis, Wiesław Ochman, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Elmar Schloter
Ein deutsches Requiem, Op. 45: V. Solo Soprano & Chorus. Ihr habt nun TraurigkeitJohannes Brahms, Edith Mathis, Edinburgh Festival Chorus, Arthur Oldham, London Philharmonic Orchestra, Daniel Barenboim
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": „Gönn auch dieser guten Seele“Gustav Mahler, Edith Mathis, Martina Arroyo, Julia Hamari, Norma Procter, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Christoph Lickleder
Symphony No. 2 in C minor - "Resurrection": Vd. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso)Gustav Mahler, Edith Mathis, Norma Procter, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Otto Freudenthal, Bavarian Radio Chorus
Ascanio in Alba, K.111 / Part 2: "Infelici affetti miei" - No. 23 AriaWolfgang Amadeus Mozart, Edith Mathis, Mozarteum Orchestra Salzburg, Leopold Hager
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben"Wolfgang Amadeus Mozart, Edith Mathis, Staatskapelle Berlin, Walter Weih, Bernhard Klee
Idomeneo, re di Creta, K.366 / Act 2: "Se il padre perdei"Wolfgang Amadeus Mozart, Edith Mathis, Staatskapelle Dresden, Karl Böhm
Idomeneo, re di Creta, K.366 / Act 3: "Solitudini amiche"Wolfgang Amadeus Mozart, Edith Mathis, Walter Taussig, Staatskapelle Dresden, Karl Böhm
Idomeneo, re di Creta, K.366 / Act 3: "Zeffiretti lusinghieri"Wolfgang Amadeus Mozart, Edith Mathis, Staatskapelle Dresden, Karl Böhm
Ch'io mi scordi di te... Non temer, amato bene, K.505Wolfgang Amadeus Mozart, Edith Mathis, Leopold Hager, Mozarteum Orchestra Salzburg
Le nozze di Figaro, K.492 / Act 3: "Crudel! perchè finora"Wolfgang Amadeus Mozart, Edith Mathis, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492, Act III: No. 21, Sull' aria... Che soave zeffiretto "Letter Duet"Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492, Act IV: No. 28a, Giunse alfin il momentoWolfgang Amadeus Mozart, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492 / Act 4: "Deh vieni, non tardar"Wolfgang Amadeus Mozart, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Don Giovanni, K.527 - Arranged And Edited By Kurt Soldan / Act 1: "Reich mir die Hand für's Leben" - LiveWolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Gürzenich Orchester Köln, Wolfgang Sawallisch
Don Giovanni, K. 527 / Act 1: "Batti, batti, o bel Masetto" - LiveWolfgang Amadeus Mozart, Edith Mathis, Wiener Philharmoniker, Karl Böhm, Walter Taussig
Don Giovanni, K.527 / Act 2: "Vedrai, carino" - LiveWolfgang Amadeus Mozart, Edith Mathis, Wiener Philharmoniker, Karl Böhm
Vado, ma dove? oh Dei!, K.583Wolfgang Amadeus Mozart, Edith Mathis, Mozarteum Orchestra Salzburg, Leopold Hager
Alma grande e nobil core, K.578Wolfgang Amadeus Mozart, Edith Mathis, Mozarteum Orchestra Salzburg, Leopold Hager
La clemenza di Tito, K.621 / Act 2: "S'altro che lagrime"Wolfgang Amadeus Mozart, Edith Mathis, Staatskapelle Dresden, Karl Böhm
Fidelio, Op. 72, Act I: No. 2, Aria. O wär ich schon mit dir vereintLudwig van Beethoven, Edith Mathis, Staatskapelle Dresden, Karl Böhm, Walter Taussig
Fidelio, Op. 72, Act I: No. 3, Quartet. Mir ist so wunderbarLudwig van Beethoven, Edith Mathis, Gwyneth Jones, Peter Schreier, Franz Crass, Staatskapelle Dresden, Karl Böhm
Der Freischütz, J. 277, Act II: Schelm! Halt fest!Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber
Der Freischütz, J. 277, Act II: Kommt ein schlanker Bursch gegangenCarl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber
Der Freischütz, J. 277, Act III: Einst träumte meiner sel'gen Base - Trübe Augen, Liebchen, taugenCarl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber
Ein Sommernachtstraum, Op. 61: No. 3, Song with Chorus. Bunte Schlangen, zweigezüngt - Live at Herkulessaal, Munich, 1964Felix Mendelssohn, Edith Mathis, Ursula Boese, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus
La Damnation de Faust, Op. 24 / Part 3: Scène 10. "Que l'air est étouffant"Hector Berlioz, Edith Mathis, Boston Symphony Orchestra, Seiji Ozawa
Edith Mathis, a renowned soprano celebrated for her exquisite performances and profound musicality, presents "The Art Of Edith Mathis," a captivating compilation of her most remarkable recordings. Released on January 12, 2018, this album is a testament to her enduring legacy in the world of classical music, spanning genres such as opera, requiem, and more. With a runtime of four hours and eleven minutes, this collection offers a comprehensive journey through Mathis' illustrious career.
The album features a diverse array of compositions, showcasing Mathis' versatility and mastery. From Bach's sacred cantatas and arias to Mozart's operatic masterpieces, the tracklist is a rich tapestry of some of the most beloved and significant works in classical music. Highlights include arias from Bach's "Jauchzet Gott in allen Landen" and "Matthäus-Passion," as well as selections from Mozart's operas "Idomeneo," "Don Giovanni," and "Le nozze di Figaro." The album also includes works by Handel, Haydn, Beethoven, Schubert, and Verdi, demonstrating Mathis' ability to excel in a wide range of styles and periods.
Mathis' voice is a force of nature, characterized by its clarity, precision, and emotional depth. Her performances are marked by a keen sense of phrasing and an intimate understanding of the text, making each piece a deeply personal and moving experience. Whether she is conveying the tender devotion of a Bach aria or the dramatic intensity of a Mozart opera, Mathis' artistry shines through, leaving a lasting impression on the listener.
"The Art Of Edith Mathis" is not just a collection of recordings; it is a celebration of a remarkable career and a tribute to the enduring power of classical music. With its diverse repertoire and exceptional performances, this album is a must-listen for anyone who appreciates the beauty and depth of the human voice. Whether you are a longtime fan of Edith Mathis or a newcomer to her work, this album offers a compelling introduction to the artistry of one of the most celebrated sopranos of our time.
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