Immerse yourself in the captivating world of classical chamber music with "The Clarinet in Concert, Vol. 1: Bruch, Mendelssohn & Crusell" by Thea King. Released in 1987 under the Hyperion label, this album is a testament to the virtuosity of Thea King, a renowned clarinetist, accompanied by the English Chamber Orchestra under the direction of Alun Francis.
The album spans a concise yet engaging 47 minutes, featuring a selection of works that highlight the clarinet's versatility and expressive range. The centerpiece is Max Bruch's Double Concerto for Clarinet and Viola in E Minor, Op. 88, a piece that showcases the intricate interplay between the clarinet and viola. The album also includes Felix Mendelssohn's Concert Piece for Clarinet and Basset Horn in F Minor, Op. 113, and D Minor, Op. 114, orchestrated by Baermann, offering a rich tapestry of musical textures and emotions.
Bernhard Crusell's Introduction, Theme & Variations on a Swedish Air, Op. 12, adds a touch of Scandinavian charm to the collection. Thea King's masterful performance brings these compositions to life, demonstrating her technical prowess and deep musical sensitivity.
Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a delightful exploration of the clarinet's concert repertoire. Thea King's artistry shines through in every note, making this a memorable and enjoyable listening experience.
Dame Thea King, DBE, FRCM, FGSM, was a titan of the clarinet world, celebrated for her versatility and virtuosity. Born in 1925, King's career spanned decades, during which she captivated audiences as a soloist, chamber musician, and orchestral player. Her performances graced major festivals across Britain and Europe, earning her a reputation as the doyenne of English clarinettists. King's influence extended beyond the stage; she was a beloved teacher at the Guildhall School of Music and the first wind-playing dame, appointed DBE in 2001 and OBE in 1985. Her legacy endures through her recordings and the countless musicians she inspired, making her a monumental figure in classical music history.
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