The Great Bailout

Moor Mother, the avant-garde artist known for her boundary-pushing work, returns with her latest album "The Great Bailout," set to release on March 8, 2024, via Anti/Epitaph. This expansive and visceral exploration delves into the interconnected histories of colonialism, slavery, and commerce in Great Britain, presented as a non-linear word map that challenges and educates.

"The Great Bailout" is a dense and immersive experience, born from intergenerational trauma, political rage, and suffering. Moor Mother's distinctive voice and vision guide the listener through a haunting journey, blending experimental hip hop, spoken word, and jazz elements to create a unique and thought-provoking soundscape. The album features collaborations with notable artists like Lonnie Holley and Raia Was, adding layers of depth and texture to the overall composition.

With a runtime of over an hour and a half, the album is a testament to Moor Mother's commitment to her craft and her ability to push the boundaries of underground music. Tracks like "Guilty," "All the Money," and "God Save the Queen" showcase her lyrical prowess and poetic skill, while the extended movements of "God Save the Queen (Movement 1)," "My Soul's Been Anchored (Movement 2)," and "Liverpool Wins (Movement 3)" highlight her experimental approach to song structure and arrangement.

"The Great Bailout" is not just an album; it's a profound and immersive meditation on history and its impact on the present. Moor Mother's latest work is a powerful statement that cements her status as a visionary artist and a vital voice in the experimental music scene.