Cantata No. 82, BWV 82 'Ich habe genug': Recit: Mein Gott! wann kommt das Schöne Nun!Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No. 82, BWV 82 'Ich habe genug': Aria: Ich freue mich auf meinen TodYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': SinfoniaYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Arioso: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Aria: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Recit: Was ist die Liebe Gottes?Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Aria: Stirb in mirYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Recit: Doch meint es auch dabeiYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Choral: Du süsse Liebe, schenk' uns deine GunstYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Mund und Herze steht dir offen (from Cantata No. 148)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
Gott ist unser Sonn' und Schild! (from Cantata No. 79)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Aria: Schäme dich, O Seele (A)Sir David Willcocks, John Shirley-Quirk, Ian Partridge, Choir of King's College, Cambridge, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Cantata No.161 - Komm, du süsse TodesstundeSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Magnificat in D - Et exultavit, BWV 243Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No. 190 - Lobe, Zion, deinen GottSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
St. John Passion - Es ist vollbrachtSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Bist du bei mir (from the notebook of Anna Magdalena Bach)Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.6 - Hochgelobter GottesohnSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.129 - Gelobet sei der HerrSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Aria: Saget, saget mir geschwinde from Easter Oratorio, BWV 249Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Bereite dich, Zion from Christmas Oratorio, BWV 248Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.11 - Ach, bleibe dochSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No. 34 - Wohl euch, ihr auserwählten SeelenSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Christmas Oratorio, BWV 248, Cantata 2: Schlafe, mein LiebsterRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Christmas Oratorio, BWV 248, Cantata 3: Schliesse, mein HerzeRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Mass in B Minor, BWV 232, Gloria: Laudamus teHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Mass in B Minor, BWV 232, Gloria: Qui sedes ad dextram PatrisHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Mass in B Minor, BWV 232, Sanctus: Agnus DeiHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Messiah, HWV 56, Part 1: O thou that tellest (alto air: Andante)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
Messiah, HWV 56, Part 2: He was despised (alto air: Largo)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
Italian Cantata No.1 - Ah! crudel nel pianto mio: SinfoniaRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Ah! Crudel nel pianto mioRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Non sdegnerai d'amorRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Di quel bel che il ciel ti diedeRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Balena il cieloRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Per trofei di mia constennaRaymond Leppard, English Chamber Orchestra, Janet Baker
Immerse yourself in the timeless artistry of Dame Janet Baker with "The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel." This extraordinary collection, released on June 28, 2013, under the EMI Classics label, showcases Baker's unparalleled vocal prowess and emotional depth across a span of over four hours and thirty-two minutes. The album is a meticulously curated journey through the Baroque and Pre-Baroque eras, featuring iconic works by Monteverdi, Scarlatti, Bach, and Handel.
Janet Baker, renowned for her rich, resonant mezzo-soprano voice, delivers a captivating performance that spans a variety of genres, including opera, classical, and requiem. The tracklist is a testament to her versatility, encompassing laments, arias, recitatives, and chorales from some of the most celebrated compositions in classical music history. Highlights include moving renditions of Bach's "Ich habe genug" and "Gott soll allein mein Herz haben," as well as poignant pieces from Handel's "Messiah" and Monteverdi's "L'incoronazione di Poppea."
This album is a treasure trove for both longtime admirers of Janet Baker and those discovering her artistry for the first time. The recordings, originally captured under studio conditions, exemplify the engineering brilliance of EMI during its golden era. Each track is a masterclass in vocal technique and emotional expression, showcasing Baker's ability to convey the deepest human emotions through her music.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "The Great EMI Recordings" offers a profound and enriching listening experience. Janet Baker's performances are not just musical; they are deeply personal and evocative, making this collection a must-listen for anyone appreciating the beauty and complexity of Baroque and Pre-Baroque masterpieces.
(C) 2013 EMI Records LtdThis compilation (P) 2013 EMI Records Ltd
About Janet Baker
Dame Janet Baker, one of Britain's most celebrated classical singers of the 20th century, captivated audiences worldwide with her extraordinary mezzo-soprano voice. Renowned for her roles at Glyndebourne and the English National Opera, as well as her close collaboration with Benjamin Britten, Baker's performances in opera, oratorio, and recitals were nothing short of legendary. Her operatic debut in 1956 marked the beginning of a illustrious career that spanned decades, earning her a place among the greatest British singers of her time. Baker's discography, particularly her recordings of Purcell's "Dido and Aeneas," is praised for its emotional depth and technical brilliance. Her voice, described as beautifully sung and timeless, continues to inspire new generations of vocalists, as evidenced by the inaugural "Dame Janet Baker Award" established in her honor.
7,012 Followers
The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel - Janet Baker - Vinyl LP