Arne: Where the Bee Sucks (From Shakespeare's "The Tempest")Thomas Arne, Janet Baker, Martin Isepp, Ambrose Gauntlett, Douglas Whittaker
Lawes: Ayres and Dialogues, Book III: No. 29, A Dialogue Upon a Kisse. "Among Thy Fancies Tell Me This"Henry Lawes, Janet Baker, Dietrich Fischer-Dieskau, George Malcolm, Kenneth Heath
Lawes, William: A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon)William Lawes, Janet Baker, Dietrich Fischer-Dieskau, George Malcolm, Kenneth Heath
Lawes, William: A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne)William Lawes, Janet Baker, Dietrich Fischer-Dieskau, George Malcolm, Kenneth Heath
Handel: Giù nei Tartari Regni, HWV 187William Lawes, Janet Baker, Dietrich Fischer-Dieskau, George Malcolm, Kenneth Heath
Handel: Quando in calma ride il mare, HWV 191George Frideric Handel, Janet Baker, Dietrich Fischer-Dieskau, George Malcolm, Kenneth Heath
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)Henry Purcell, Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim
Purcell: Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)Henry Purcell, Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim
Purcell: The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)Henry Purcell, Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim
Purcell: King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying"Henry Purcell, Janet Baker, Dietrich Fischer-Dieskau, Daniel Barenboim
Parry: English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)Hubert Parry, Janet Baker, Gerald Moore
Parry: English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)Hubert Parry, Janet Baker, Gerald Moore
Stanford: La Belle dame sans merci: "O what can ail thee, knight-at-arms"Charles Villiers Stanford, Janet Baker, Gerald Moore
Vaughan Williams: Linden LeaRalph Vaughan Williams, Janet Baker, Gerald Moore
Quilter: 3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)Roger Quilter, Janet Baker, Gerald Moore
Ireland: Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)John Ireland, Janet Baker, Gerald Moore
Gurney: The Fields Are Full of Summer StillIvor Gurney, Janet Baker, Gerald Moore
Warlock: Pretty Ring Time: "It was a lover and his lass"Peter Warlock, Janet Baker, Gerald Moore
Glanville-Hicks: Rest: "On me to rest, my bird my bird"William Busch, Janet Baker, Gerald Moore
Britten: Corpus Christi Carol (From A Boy Was Born, Op. 3)Benjamin Britten, Janet Baker, Gerald Moore
Traditional: Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)Robert Burns, Janet Baker, Gerald Moore
Sullivan: 5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)Arthur Sullivan, Janet Baker, Gerald Moore
Parry: English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)Hubert Parry, Janet Baker, Gerald Moore
Vaughan Williams: Bushes and Briars (Voice and Piano Version)Ralph Vaughan Williams, Janet Baker, Gerald Moore
Quilter: 5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)Roger Quilter, Janet Baker, Gerald Moore
Ireland: Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)John Ireland, Janet Baker, Gerald Moore
Hughes, Herbert: Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)Herbert Hughes, Janet Baker, Gerald Moore
Bax: 5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)Arnold Bax, Janet Baker, Gerald Moore
Howells: Gavotte: "Memories long in music sleeping"Herbert Howells, Janet Baker, Gerald Moore
Finzi: Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lassGerald Finzi, Janet Baker, Gerald Moore
Traditional: Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)Ronald Kinloch Anderson, Janet Baker, Gerald Moore
Britten: Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in BedBenjamin Britten, André Previn, London Symphony Orchestra, Janet Baker, London Symphony Chorus
Walton: Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)Christopher Hassall, William Walton, Janet Baker, Lawrence Foster, Orchestra of the Royal Opera House, Covent Garden
Walton: Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)Christopher Hassall, William Walton, Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Lawrence Foster
Walton: Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)Christopher Hassall, William Walton, Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Lawrence Foster
Immerse yourself in the timeless beauty of English song with Dame Janet Baker, one of the most celebrated sopranos of the 20th century. This exquisite collection, "The Great EMI Recordings - English Songs: Dowland, Purcell, Arne, Parry, Stanford, Walton, Britten," showcases Baker's unparalleled artistry and vocal mastery. Spanning a rich tapestry of compositions from the Renaissance to the mid-20th century, this album is a testament to her enduring legacy.
Featuring 44 enchanting songs, the album offers a diverse range of musical styles and themes, from the delicate elegance of Dowland's lute songs to the dramatic intensity of Britten's compositions. Highlights include Purcell's enchanting "Come Ye Sons of Art," Handel's operatic arias, and Walton's poignant scenes from "Troilus and Cressida." Baker's interpretation of Stanford's "La Belle Dame sans Merci" and Vaughan Williams' "Linden Lea" are particularly noteworthy, showcasing her ability to convey deep emotional resonance and technical brilliance.
Recorded with the meticulous care and attention to detail that EMI is renowned for, this album captures the essence of Baker's performances with stunning clarity. The accompanying piano and orchestral arrangements are masterfully executed, providing a rich and immersive musical backdrop for Baker's luminous voice.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album is a treasure trove of musical delights. Janet Baker's renditions are not just performances; they are profound expressions of human emotion and artistic genius. Experience the magic of her voice and the timeless beauty of English song in this remarkable collection.
Dame Janet Baker, one of Britain's most celebrated classical singers of the 20th century, captivated audiences worldwide with her extraordinary mezzo-soprano voice. Renowned for her roles at Glyndebourne and the English National Opera, as well as her close collaboration with Benjamin Britten, Baker's performances in opera, oratorio, and recitals were nothing short of legendary. Her operatic debut in 1956 marked the beginning of a illustrious career that spanned decades, earning her a place among the greatest British singers of her time. Baker's discography, particularly her recordings of Purcell's "Dido and Aeneas," is praised for its emotional depth and technical brilliance. Her voice, described as beautifully sung and timeless, continues to inspire new generations of vocalists, as evidenced by the inaugural "Dame Janet Baker Award" established in her honor.
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The Great EMI Recordings - English Songs: Dowland, Purcell, Arne, Parry, Stanford, Walton, Britten - Janet Baker - Vinyl LP
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Janet Baker
