Jay McShann's "The Last Of The Blue Devils" is a vibrant compilation of classic blues, boogie-woogie, jazz, and swing music, released on July 26, 2005, under Rhino Atlantic. This album is a testament to McShann's enduring legacy as a pioneer of Kansas City jazz, offering a rich tapestry of sounds that have influenced generations of musicians.
With a runtime of 46 minutes, the album features 11 tracks, including iconic numbers like "Confessin' the Blues," "Hootie Blues," and "Kansas City." McShann's mastery of the piano and his distinctive vocal style shine through in each track, capturing the essence of the blues and swing era. The album also includes a notable rendition of "Jumpin' at the Woodside," showcasing McShann's energetic and dynamic playing.
Jay McShann, often referred to as "Hootie," was a key figure in the development of the Kansas City jazz scene in the 1930s and 1940s. His band, which included young Charlie Parker, was instrumental in shaping the sound of early bebop. "The Last Of The Blue Devils" not only highlights McShann's musical prowess but also pays homage to the rich history of Kansas City jazz.
This album is a must-listen for fans of classic jazz and blues, offering a glimpse into the golden age of swing. Whether you're a long-time admirer of Jay McShann or a newcomer to his music, "The Last Of The Blue Devils" is sure to captivate and inspire.
Jay McShann, born James Columbus McShann, was a towering figure in the world of jazz, renowned for his prowess as a pianist, vocalist, composer, and bandleader. Hailing from Muskogee, Oklahoma, McShann's career spanned over six decades, during which he became synonymous with the vibrant Kansas City jazz scene. Influenced by the likes of Earl Hines, McShann first gained prominence in the 1930s, leading bands that featured legendary talents such as Charlie Parker and Ben Webster. His big band, one of the most popular outfits of the 1940s, racked up numerous hits and solidified his status as a leading figure in the genre. McShann's music, a blend of blues, boogie-woogie, jazz, and swing, continues to captivate audiences, showcasing his innovative spirit and hardworking ethos. His legacy endures, making him a beloved figure in the annals of jazz history.
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