The Last Sessions, Volumes 1 & 2

"The Last Sessions, Volumes 1 & 2" is a captivating collection of Sonny Stitt's final studio recordings, released in 1982, just months before his passing. This double album captures the legendary saxophonist at the height of his powers, showcasing his virtuosity on both alto and tenor saxophones. Recorded on June 9, 1982, at Nola Recording Studios in New York City, these sessions feature an all-star lineup, including Bill Hardman on trumpet, Walter Davis on piano, George Duvivier on bass, and Jimmy Cobb on drums.

The album spans a variety of jazz styles, from bebop and hard bop to cool jazz and acid jazz, demonstrating Stitt's versatility and mastery of the genre. With a running time of over an hour and ten minutes, the album includes fourteen tracks, each a testament to Stitt's enduring talent and influence. Standout performances include "Steamroller," "Sweet Georgia Brown," and "At Last," all of which highlight Stitt's signature sound and improvisational genius.

Despite facing health challenges at the time of recording, Stitt's playing on this album is as dynamic and expressive as ever. "The Last Sessions, Volumes 1 & 2" serves as a fitting tribute to one of jazz's most prolific and underappreciated artists, offering fans a chance to experience the brilliance of Sonny Stitt one last time. This album is a essential addition to any jazz enthusiast's collection, providing a comprehensive look at the final chapter of Stitt's illustrious career."

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.