John Letman's "The Many Angles of John Letman" is a captivating journey into the world of hard bop, released on January 1, 2015, under the esteemed Bethlehem Records label. This concise yet powerful album spans just 34 minutes, featuring nine tracks that showcase Letman's mastery of the genre.
The album is a collaborative effort, with notable contributions from jazz legends Kenny Burrell on guitar, Panama Francis on drums, Peck Morrison on bass, and Dick Wellstood on piano. This ensemble of seasoned musicians brings a rich tapestry of sounds to the record, each track offering a unique perspective on hard bop.
From the opening notes of "Mabel's Dream" to the final strains of "Get Out Of My Sight," Letman's virtuosity on the piano is evident. The album's standout tracks, such as "This Time The Drink's On Me" and "Say Si Si," highlight his improvisational skills and deep understanding of the jazz tradition. "The Room Upstairs" and "Moanin' Low" offer a more introspective side of Letman's playing, while "Violets And Violins" and "Sittin' Alone Countin' My Tears" showcase his ability to blend melody and rhythm seamlessly.
"The Many Angles of John Letman" is not just an album; it's a testament to John Letman's artistry and his contributions to the world of jazz. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.
John Letman, born John Bernard "Johnny" Letman, was an American jazz trumpeter and vocalist known for his contributions to the traditional and mainstream jazz scenes. Born in McCormick, South Carolina, in 1917, Letman's career spanned several decades, during which he played with some of the most iconic figures in jazz history. His journey began in the Midwest, where he performed with bands led by Jerry Valentine, Scatman Crothers, and Jimmy Raschelle. By the mid-1930s, he had moved to Chicago, where he collaborated with notable musicians such as Delbert Bright, Bob Tinsley, Johnny Lang, and Nat King Cole.
Letman's career took a significant turn when he settled in New York in 1944. There, he joined the Phil Moore Four, Lucky Millinder, and Cab Calloway, among others, before becoming a prominent figure in the late 1950s. His hard bop style placed him alongside jazz legends like Roy Eldridge, Buck Clayton, and Shavers. Despite his extensive work and influence, Letman's recordings did not garner the widespread recognition they deserved during his lifetime. His legacy, however, endures through his contributions to the rich tapestry of American jazz.
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