Dive into the mesmerizing world of vocal experimentation with Darius Jones' "The Oversoul Manual," a groundbreaking a cappella suite released on October 14, 2014, via AUM Fidelity. This ambitious project sees the renowned New York-based jazz saxophonist shift his avant-garde focus to the human voice, creating a mystical 15-part suite performed by the four female vocalists of the Elizabeth-Caroline Unit. Recorded at the Issue Project Room in Brooklyn, this 52-minute album is a testament to Jones' profound love for the human voice and his innovative compositional skills.
"The Oversoul Manual" is an elemental part of Jones' Mani’sh Boy mythology, offering a radical expression of his artistic vision. The album features a diverse range of vocal permutations, from solo performances to intricate quartet arrangements, showcasing the versatility and power of the human voice. Each of the 15 tracks presents a unique a cappella etude, pushing the boundaries of traditional vocal music and exploring the depths of the human voice.
The album's unique tracklist, featuring abstract titles and symbols, adds an air of mystery and intrigue. The performances by Amirtha Kidambi, Sarah Martin, Jean Carla Rodea, and Kristin Slipp are nothing short of breathtaking, demonstrating their exceptional vocal abilities and the tight ensemble work that Jones has cultivated. With production by Darius Jones and Amandine Pras, and mastering by Alan Silverman, "The Oversoul Manual" is a sonic journey that will captivate fans of free jazz, avant-garde, and experimental vocal music.
Darius Jones is a critically acclaimed alto saxophonist, composer, and bandleader who has made a significant impact on the jazz scene since the early 2000s. Born in Norfolk, Virginia in 1978, Jones has carved out a distinctive voice in the world of free jazz and avant-garde music, known for his individuality and innovation. He joined the vibrant New York music community in 2005 and has since built an impressive discography, with each release showcasing his unique artistic vision. Jones's performances are marked by a deep, lived-in quality, reflecting his extensive knowledge of black diasporan musical traditions. In addition to his performing career, Jones is a Professor of Music at Wesleyan University in Connecticut, further cementing his influence on the next generation of musicians. His powerful compositions and dynamic live shows make him a standout figure in contemporary jazz.
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