"The Return of Howard McGhee" is a captivating journey into the world of bebop and hard bop, showcasing the extraordinary talent of trumpet virtuoso Howard McGhee. Released in 2011 by High Fashion Jazz, this album is a testament to McGhee's agile and dexterous playing style, often drawing comparisons to jazz greats. The album features a collection of 11 tracks, each offering a unique blend of McGhee's signature sound and the rich, intricate harmonies characteristic of the bebop genre.
From the upbeat energy of "Get Happy" to the sultry tones of "Lover Man," McGhee's trumpet work is nothing short of breathtaking. The album also includes standout tracks like "Transpicuous" and "Rifftide," which highlight McGhee's ability to navigate complex melodies with ease. With a total runtime of 42 minutes, "The Return of Howard McGhee" is a concise yet powerful exploration of McGhee's musical prowess.
This album is a essential addition to any jazz enthusiast's collection, offering a rare opportunity to experience the work of a criminally unsung hero of the bebop era. Whether you're a longtime fan of Howard McGhee or a newcomer to his music, "The Return of Howard McGhee" is sure to leave you spellbound. The album was remastered in 2014, ensuring that the sound quality is top-notch, allowing listeners to fully appreciate the intricacies of McGhee's playing.
Howard McGhee, a pioneering figure in the bebop jazz scene, was one of the first American trumpeters to embrace and master this revolutionary style. Born in 1918, McGhee stood alongside legends like Dizzy Gillespie and Fats Navarro, known for his remarkable technical prowess, including lightning-fast fingering and the ability to hit impressively high notes. His influence on younger bebop trumpeters was significant, with Fats Navarro himself citing McGhee as an inspiration. McGhee's versatility allowed him to play with both speed and sweetness, from high to low registers, making him a standout in the bebop era. Despite his talent, McGhee's contributions are often overlooked, but his impact on jazz is undeniable. His discography, spanning from the mid-1940s to the 1950s, offers a rich exploration of bebop and hard bop, showcasing his unique voice and technical brilliance.
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