"The Routes of Slavery" by Jordi Savall is a profound and historically significant exploration of the transatlantic slave trade, meticulously crafted through a blend of medieval and classical music. Released on February 17, 2017, under the Alia Vox label, this ambitious project spans over two hours and seven minutes, offering a deep dive into the cultural and musical heritage shaped by the horrors of slavery.
The album is a collaborative effort featuring Jordi Savall and his ensemble, Hesperion XXI, along with La Capella Reial de Catalunya. It weaves together a rich tapestry of musical styles and narratives, each track accompanied by historical recitations that provide context and depth. From the percussive rhythms of West African traditions to the haunting melodies of Spanish and Latin American folk music, the album is a testament to the resilience and cultural richness of those who endured the slave trade.
The tracklist is a journey through time, beginning with the introduction of slavery in the colonies and culminating in the abolitionist movements of the 19th century. Each piece is carefully curated to reflect the historical events and cultural expressions of the era, making it an educational and immersive experience. The inclusion of traditional instruments like the kora, valiha, and oud, alongside modern interpretations, adds layers of authenticity and depth to the album.
"The Routes of Slavery" is not just an album; it is a comprehensive exploration of a dark chapter in human history, told through the universal language of music. Jordi Savall's mastery and the ensemble's dedication shine through in every note, making it a compelling listen for anyone interested in history, music, and the enduring spirit of humanity. The album is accompanied by a lavish book in six languages, featuring two CDs and a DVD of a concert in France, further enriching the listening experience.
(C) 2016 Alia Vox
Tracks
Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Kora et ValihaJordi Savall, Ballaké Sissoko, Rajery
Vida ao Jongo (Jongo da Serrinha)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique: Guitare (Romanesca)Jordi Savall, Bakary Sangaré, Xavier Diaz-Latorre
Tambalagumbá (Negrilla à 6 v. et bc.)Jordi Savall
Velo que bonito (ou San Antonio) [Chant sacré]Jordi Savall, Ada Coronel
Manden Mandinkadenou (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises.Jordi Savall, Bakary Sangaré
Canto de Guerreiro (Caboclinho paraibano)Jordi Savall, Maria Juliana Linhares, Xavier Diaz-Latorre, Andrew Lawrence-King
Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l’Île de la Barbade à Londres / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Son de la Tirana: Mariquita, MaríaJordi Savall, Ada Coronel
Antoniya, Flaciquia, Gasipà (Negro à 5)Jordi Savall, David Sagastume
Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lentsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Sinanon Saran (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et OudJordi Savall, Bakary Sangaré, Ballaké Sissoko, Driss El Maloumi
Les Indios: ¡Fuera, fuera! ¡Háganles lugar!Jordi Savall, Ada Coronel, Ulises Martínez
Saí da casa (Ciranda)Jordi Savall, Maria Juliana Linhares
Récit: 1748. Montesquieu « De l’esclavage des nègres » / Musique: MarimbaJordi Savall, Bakary Sangaré, Leopoldo Novoa
Véro (Instrumental)Jordi Savall, Driss El Maloumi, Ballaké Sissoko, Rajery
El TorbellinoJordi Savall, Ada Coronel, Iván García
Gulumbé: Los coflades de la estleyaJordi Savall, Adriana Fernandez, Maria Juliana Linhares
Récit: 1782. L’esclave Belinda demande au Congrès du Massachusetts une pension en guise de réparation après une vie de labeur / Musique: OudJordi Savall, Bakary Sangaré, Driss El Maloumi
Sanjin (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
La Iguana (Son jarocho)Jordi Savall, Enrique Baron
Récit: 1848. Décret sur abolition de l’esclavage / Musique: Kora et ValihaJordi Savall, Bakary Sangaré, Ballaké Sissoko, Rajery
Tonada El Congo: A la mar me llevanJordi Savall
Bom de Briga (Maracatu e Samba)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Dan Massa WoulanbaJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Guaracha: Ay que me abrasoJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery