Immerse yourself in the opulent world of 19th-century French opera with Ambroise Thomas' "La Cour de Célimène," a captivating work brought to life by Opera Rara. Released in 2008, this double CD set offers a comprehensive recording of Thomas' delightful opera, showcasing his unique musical style that has been praised by contemporaries like Emmanuel Chabrier.
The album features a stellar cast of vocalists, including the renowned soprano Laura Claycomb and mezzo-soprano Joan Rodgers, who bring depth and nuance to their respective roles. Under the baton of conductor Andrew Litton, the Philharmonia Orchestra delivers a rich and vibrant accompaniment, enhancing the opera's charming melodies and intricate harmonies.
"La Cour de Célimène" is a tale of love, deception, and societal expectations, set against the backdrop of French high society. The opera's two acts are filled with witty dialogue, beautiful arias, and lively ensembles, providing a comprehensive showcase of Thomas' compositional prowess. The album's duration of 1 hour and 35 minutes ensures that listeners can fully appreciate the opera's intricate plot and musical depth.
Opera Rara's commitment to preserving and promoting rare and neglected operatic works is evident in this high-quality recording. The album's detailed liner notes provide valuable context and insights into the opera's history and performance, making it an essential addition to any opera enthusiast's collection. Whether you're a seasoned opera lover or a curious newcomer, "La Cour de Célimène" promises an enchanting and engaging listening experience.
Thomas: La Cour de Célimène, Act 1: OvertureAmbroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Bientot elle arrive" (Young Man, Adolescent, Old Man, Chorus of 12 Men)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Il parait, chere soeur" (The Baroness, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Qui, c'est le plus grand des bonheurs" (The Countess, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Charmez, brillez, c'est de votre age" (The Commander, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "C'est un mariage" (The Baroness, the Countess, Ensemble)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Ainsi, un fois maries" (The Baroness, the Commander, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Que dites-vous?" (The Commander)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Allons, rassurez-vous" (The Countess, the Commander, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Ça va être bien divertissant" (The Commander, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Ah, vous voila donc, chevalier?" (The Baroness, the Chevalier)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Mais pardon ..." (The Chevalier, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Eh bien! Monsieur" (The Countess, the Chevalier)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Oh... Ah! Cessez de grâce" (The Chevalier, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Ainsi, madame" (The Chevaliers, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 1: "Quels fracas!" (Chorus, the Commander, the Chevalier)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Dieu! Quel mortel ennui" (The Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Que voulez-vous" (The Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Ma soeur! Ma soeur!" (The Baroness, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Voila donc la cruelle" (Chorus of 12 Men, the Countess, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Sur le terrain, tous deux enfin" (The Commander, All)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Ainsi, commandeur, vous voila" (The Countess, the Baroness, the Commander)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Nous pouvons arranger l'affaire" (The Commander, the Countess, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Ainsi, noble baronne" (The Commander, the Baroness, the Countess)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Aucun, et je proteste! ..." (The Chevalier, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Et maintenant, chevalier" (The Baroness, the Chevalier)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Thomas: La Cour de Célimène, Act 2: "Que vois-je?" (The Chevalier, the Commander, the Baroness, the 12 Men, the Countess, the Baroness)Ambroise Thomas, Andrew Litton, Philharmonia Orchestra
Ambroise Thomas, born in 1811, was a prominent French composer and educator renowned for his captivating operas. Hailing from a musical family, Thomas's journey began at the Paris Conservatoire, where he honed his skills from a young age. His most celebrated works include "Mignon" (1866) and "Hamlet" (1868), both of which showcase his mastery of dramatic storytelling and melodic richness. Thomas's compositions, often characterized by their emotional depth and lyrical beauty, continue to enchant audiences worldwide. His legacy as a composer and teacher has left an indelible mark on the world of classical music, making him a figure of enduring significance in the operatic canon.
Vinylscout
Ambroise Thomas
