In "Time & Eternity," violinist Patricia Kopatchinskaja, along with Camerata Bern, presents a profound and thought-provoking exploration of musical expression. Released on September 13, 2019, via Alpha Classics, this album is a testament to Kopatchinskaja's quest for powerful musical experiences, blending historical and contemporary compositions to create a unique listening journey.
The album opens with a poignant rendition of "Kol Nidre," followed by Karl Amadeus Hartmann's "Concerto funèbre," a piece composed in 1939 as a response to the horrors of Nazi terror. This work is juxtaposed with Frank Martin's "Polyptyque," written in 1973 for Yehudi Menuhin, adding a layer of depth and contrast. The album also features transcriptions of J.S. Bach's chorales, interspersed between the movements of the "Polyptyque," serving as an invocation of eternal consolation.
Kopatchinskaja's collaboration with Camerata Bern, of which she has taken over the artistic direction, results in a seamless blend of chamber music and orchestral elements. The album includes works by various composers, such as Machaut, Zorn, and Fischer, each contributing to the rich tapestry of sounds and themes. The inclusion of vocal pieces like "Boze Ojcze, przebaczenie jest wielkim darem" and "Dwa serduszka" adds a human touch, making the experience even more intimate.
"Time & Eternity" is not just a collection of beautiful performances but a carefully curated selection of pieces that speak to the human condition, exploring themes of time, eternity, and the indomitable spirit of humanity. With a running time of 1 hour and 16 minutes, this album is a captivating exploration of musical artistry and historical resonance, making it a standout release in the world of chamber music.
Patricia Kopatchinskaja is a dynamic and innovative violinist, born in Chisinau, Moldova, to a family of musicians. Her unique approach to music, shaped by her studies in Vienna, blends compositional influences with her virtuosic violin playing. Kopatchinskaja is known for her daring performances, which often feature extreme dynamics and a fearless exploration of both familiar and lesser-known works. She directs staged concerts and collaborates with leading orchestras, conductors, and festivals worldwide, bringing a fresh perspective to the classical music scene. Kopatchinskaja's ability to breathe new life into standards has made her one of the most intriguing stars in the music world, reminiscent of legends like Glenn Gould.
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