Armen Nalbandian returns with his latest free jazz offering, "Time Waits," released on May 23, 2014, under the independent label Blacksmith Brother. This 11-track album spans a total of 64 minutes, showcasing Nalbandian's distinctive voice in the free jazz genre.
"Time Waits" is a testament to Nalbandian's evolution as an artist, following his previous album "Young Kings Get Their Heads Cut Off" released in 2007. The album opens with "Hancock Park," a piece that immediately draws the audience into Nalbandian's world of improvisation and raw expression. Tracks like "Ugly Beauty" and "Conflicted" delve into the complexities of human emotion, while "I Get Along Without You Very Well" offers a moment of introspection.
The album's title track, "Time," serves as a centerpiece, reflecting Nalbandian's exploration of temporal themes, both musically and lyrically. "As November Ends" and "Hallowed Ground" provide a sense of closure, rounding out the album with a blend of melancholy and resolve.
Nalbandian's work has been noted for its innovative approach to free jazz, and "Time Waits" is no exception. The album is a captivating journey through the mind of a seasoned artist, offering a rich tapestry of sound and sentiment. Whether you're a longtime fan or new to Nalbandian's music, "Time Waits" promises a rewarding listening experience.
Armen Nalbandian is an Armenian-American jazz pianist and composer born in 1978, known for his captivating explorations in the realm of free jazz. His music is a testament to his deep cultural roots and innovative spirit, offering audiences a unique blend of traditional influences and avant-garde techniques. Nalbandian's compositions are not merely performances but immersive experiences that transport the audience into his creative universe. His work is characterized by its emotional depth and technical prowess, making him a standout figure in the contemporary jazz scene. Whether performing live or recording in the studio, Nalbandian's music is a journey of discovery, inviting fans to explore the boundaries of jazz and the human experience.
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