Roger Desormiere's 1953 album, "Tommasini, Scarlatti: Extraits de la suite des Femmes de bonne humeur - Poulenc: Les biches, extraits," is a captivating journey through the realms of opera and classical music. This concise yet impactful collection spans just under 37 minutes, offering a rich tapestry of compositions that showcase Desormiere's mastery and the timeless appeal of the featured works.
The album begins with a suite from "The Good-Humoured Ladies," a ballet composed by Franco Tommasini, which is based on the sonatas of the renowned Domenico Scarlatti. The suite unfolds in five distinct movements, each with its unique tempo and character, ranging from the lively "Presto" to the playful "Cat's Fugue" finale. These pieces are a testament to Scarlatti's enduring influence and Tommasini's skillful adaptation.
The second half of the album is dedicated to Francis Poulenc's ballet "Les biches," presented in a series of instrumental extracts. Poulenc's distinctive style, blending neoclassical elements with a touch of whimsy, is evident in each movement, from the graceful "Rondeau" to the energetic "Rag-mazurka" and the concluding "Finale." Desormiere's interpretation brings out the nuanced elegance and rhythmic vitality of these compositions.
Recorded in 1953 and released under the BNF Collection label, this album is a historical gem that offers a glimpse into the rich musical heritage of the mid-20th century. Desormiere's conducting is precise and expressive, making this a compelling listen for both classical enthusiasts and those new to the genre. The album's concise duration makes it an accessible introduction to the works of Tommasini, Scarlatti, and Poulenc, while its depth and variety ensure that it remains engaging for seasoned listeners.
Vinylscout