Vers la flamme

Alexander Scriabin, born into an aristocratic Russian family in Moscow in 1872, was a composer and pianist whose musical journey was as profound and mystical as it was innovative. Initially influenced by Frédéric Chopin, Scriabin's early works are characterized by a lyrical and tonal language. However, around 1903, his style evolved dramatically, moving towards a more dissonant and transcendent musical idiom that, while not atonal, pushed the boundaries of traditional tonality. This shift was deeply influenced by his personal metaphysics, synesthesia, and theosophy, with Scriabin associating colors with harmonic tones and creating a color-coded circle of fifths.

Scriabin's ambition extended beyond music; he was drawn to the concept of Gesamtkunstwerk, aiming to create a total work of art that engaged all the senses. His compositions, particularly from the later part of his career, are not just musical pieces but explorations of the mystical and the transcendent. Despite his complex philosophical underpinnings, Scriabin's music remains accessible and deeply emotional, making him a key figure in the Russian Silver Age and a major representative of Russian symbolism. His legacy continues to inspire and intrigue, offering a rich tapestry of sound and meaning for listeners to explore.