"Vessel in Orbit" is a stellar return to form for drummer-composer Whit Dickey, marking his first new group music in over a decade. Released on March 24, 2017, via AUM Fidelity, this captivating album is a testament to Dickey's mastery of free jazz and avant-garde genres. Joined by the formidable talents of Mat Maneri and Matthew Shipp, the album is a richly melodic and deeply focused journey through the cosmos of improvisational music.
The album's eight tracks, including standouts like "Space Walk," "Dark Matter," and "Hyperspatial," showcase Dickey's unique compositional approach and his ability to create intricate, engaging rhythms. With a duration of 48 minutes, "Vessel in Orbit" offers a concise yet profound exploration of sound and space. Dickey's drumming acts as the steady heartbeat of the album, providing a constant pulse that anchors the improvisations of his fellow musicians. The result is a cohesive and compelling body of work that highlights the strengths of each performer while pushing the boundaries of their collective sound.
"Vessel in Orbit" is not just an album; it's an experience. From the opening notes of "Spaceship 9" to the final echoes of "Hyperspatial," the album invites listeners to immerse themselves in a world of sonic exploration and discovery. Whether you're a longtime fan of Whit Dickey or a newcomer to his music, "Vessel in Orbit" is sure to leave a lasting impression.
Whit Dickey is a renowned American drummer who has been a pivotal figure in the New York free-jazz scene since the mid-1990s. Known for his intense and collaborative musical style, Dickey has worked with legendary figures such as pianist Matthew Shipp and saxophonist David S. Ware. His discography is a testament to his versatility and deep musical chemistry with various artists. Albums like "Fierce Silence" with cornetist Kirk Knuffke and "Root Perspectives" with his formidable quartet showcase his ability to navigate complex musical landscapes. Dickey's latest works, including "Village Mothership," continue to push the boundaries of free jazz and avant-garde, making him a must-watch for any jazz enthusiast.
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