Immerse yourself in the sacred and serene world of Tomás Luis de Victoria with this exquisite recording of two of his most renowned Masses. Released in 2011 by Hyperion, this album features the Westminster Cathedral Choir under the direction of Martin Baker, delivering a performance of profound beauty and spiritual depth.
The album opens with Victoria's enchanting setting of the Marian antiphon "Salve Regina a 5," setting the stage for the two magnificent Masses that follow. The first, "Missa De Beata Maria Virgine," is a paraphrase Mass based on the twelfth-century Gregorian plainsong Mass IX, ‘Cum iubilo.’ Published initially in 1576, this Mass showcases Victoria's mastery of polyphony and his deep reverence for the sacred texts.
The second Mass, "Missa Surge propera," is a parody Mass inspired by a motet of the same title by Giovanni Pierluigi da Palestrina. Composed for the Feast of the Visitation of the Blessed Virgin Mary, this Mass is a testament to Victoria's ability to weave intricate musical lines that elevate the spiritual experience.
The album spans a duration of one hour and seven minutes, offering a comprehensive exploration of Victoria's choral works. The performances by the Westminster Cathedral Choir are marked by their clarity, precision, and profound understanding of the music, making this recording a treasure for both scholars and lovers of choral music.
This album is a beautiful representation of Victoria's contributions to the Renaissance era, blending Gregorian chant with intricate polyphony. Whether you are a seasoned enthusiast of choral music or a newcomer to the genre, this recording offers a rich and rewarding listening experience.
Vinylscout