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Vincent Persichetti
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Vincent Persichetti was a prolific American composer, pianist, and educator whose innovative approach to music left an indelible mark on the 20th-century classical scene. Born in 1915, Persichetti's career was defined by his fluency across multiple musical disciplines, from composition and performance to teaching and writing. He joined the prestigious Juilliard School in 1947, eventually becoming the head of its composition department, where he mentored numerous notable composers.
Persichetti's compositions spanned a wide range of genres and styles, reflecting his integration of new ideas and techniques into his work. His organ works, in particular, have been celebrated in recordings, showcasing his mastery of the instrument. Among his notable works are "Pastorale, Op. 21," "Serenade No. 10 for Flute and Harp, Op. 79," and "Symphony No. 9 'Janiculum,'" which was recorded by the Philadelphia Orchestra under Eugene Ormandy.
Beyond his compositions, Persichetti was a respected author, penning influential texts such as "Twentieth-Century Harmony: Creative Aspects and Practice." His legacy endures through his music and the countless students he inspired, cementing his place as a pivotal figure in American musical education and composition.
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Vincent Persichetti's "Harmonium Song Cycle for Soprano and Piano" is a captivating exploration of the human experience, set to the evocative compositions of one of the 20th century's most influential American composers. Released on MSR Classics in December 2012, this album features the stunning vocal prowess of Sherry Overholt and the delicate artistry of pianist Joshua Pierce, who bring to life Persichetti's intricate and expressive song cycle.
Comprising 20 tracks, the album spans a full hour of music, each piece a poetic journey through landscapes of the mind and soul. Persichetti's compositions, steeped in tradition yet open to modern influences, showcase his unique ability to blend technical mastery with profound emotional resonance. The song cycle, Op. 50, is a testament to his skill in setting poetry to music, with each track offering a distinct atmosphere and narrative.
From the haunting beauty of "The Snow Man" to the rhythmic vitality of "Tattoo," and the introspective depth of "Thirteen Ways of Looking at a Blackbird," Persichetti's music is both intellectually stimulating and deeply moving. The album is a must-listen for fans of classical vocal music, offering a rich and rewarding experience that highlights the collaborative genius of Persichetti, Overholt, and Pierce. Whether you're a seasoned enthusiast of classical music or a newcomer to the genre, this album promises a memorable and enriching listening experience.