Warum Männer nicht zuhören und Frauen schlecht einparken

Dive into the vibrant and eclectic world of James Last with his 2007 album, "Warum Männer nicht zuhören und Frauen schlecht einparken." This captivating collection serves as the original motion picture soundtrack for the German comedy film of the same name, directed by Leander Haußmann. Spanning a lively 51 minutes, the album is a delightful blend of genres, seamlessly weaving together orchestra, polka, easy listening, and big band elements.

The album kicks off with the energetic "Big City (Swing)" and continues with a mix of instrumental tracks and vocal performances. Standout tracks include "Der kleine Unterschied," featuring the sultry vocals of Annett Louisan, and "Mi Lascerai," a duet with Francesco Wilking. The album also includes the film's main theme and a variety of other memorable compositions that capture the spirit of the film.

Released on January 1, 2007, under the Polydor label, this album showcases James Last's versatility and mastery of various musical styles. Whether you're a fan of big band sounds, easy listening melodies, or lively polka tunes, this album offers a rich and engaging listening experience.

James Last, affectionately known as the "King of Corn," was a German composer and big band leader whose infectious "happy music" captivated audiences worldwide. With a career spanning over five decades, Last's James Last Orchestra became a staple in the easy listening and big band genres, blending elements of orchestra, polka, and even disco-funk. His signature sound, filled with lush strings, horns, and a contagious rhythm, made his albums best-sellers, particularly in Germany and the UK. Last's discography boasts an impressive 65 charting albums in the UK alone, with hits like "Happy Heart" becoming international sensations. Beyond his recording success, Last's energetic live performances and television shows kept crowds dancing and entertained for decades, cementing his legacy as one of the most successful bandleaders and arrangers in popular music history.