Immerse yourself in the enchanting world of Carl Maria von Weber's "Euryanthe, J. 291," a grand romantic opera that showcases the composer's mastery of the operatic form. Released as part of the Walhall Eternity Series, this album presents a complete recording of Weber's three-act opera, originally premiered in 1823. With a duration of 1 hour and 47 minutes, this recording offers a comprehensive exploration of Weber's intricate compositions and dramatic storytelling.
"Euryanthe" is a tale of love, betrayal, and redemption, set against the backdrop of medieval chivalry. The opera's overture sets the stage with its sweeping melodies and dramatic flair, a hallmark of Weber's compositional style. Throughout the three acts, the opera unfolds with a rich tapestry of arias, duets, and choral pieces that bring the story to life.
This album features the full score of "Euryanthe," including all the key moments and characters that make the opera a timeless classic. From the joyous celebrations in Act I to the tense confrontations in Act II and the tragic denouement in Act III, each scene is meticulously crafted to engage and captivate the listener.
Carl Maria von Weber, one of the most influential composers of the early Romantic era, is known for his innovative approach to opera. "Euryanthe" is a testament to his genius, blending lyrical beauty with dramatic intensity. The opera's intricate orchestration and rich harmonies are brought to life in this recording, providing a rich listening experience for both opera enthusiasts and classical music lovers.
Released on August 7, 2015, this album is a testament to the enduring appeal of Weber's music. Whether you are familiar with "Euryanthe" or discovering it for the first time, this recording offers a compelling journey through one of the most significant operas of the Romantic era.
2015 Walhall Eternity Series2015 Walhall Eternity Series
Tracks
Euryanthe, J. 291: OvertureCarl Maria von Weber, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: Dem Frieden Heil nach Sturmestagen! (Chorus)Carl Maria von Weber, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: Mein junger Freund, so ernst bei heit're, Tanze (King)Carl Maria von Weber, Wilhelm Schirp, Wolfgang Windgassen, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: In meines Liebchens Garten (Gerard)Carl Maria von Weber, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: Bravo dem Sanger! Das Lied gilt Euryanthe (Chorus)Carl Maria von Weber, Trude Eipperle, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: Hor', Minnesanger, das Lob der schonsten Frau (Lysiart)Carl Maria von Weber, Gustav Neidlinger, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 1: Wohlan, ich nehme dich beim Wort (Lysiart)Carl Maria von Weber, Gustav Neidlinger, Wilhelm Schirp, Wolfgang Windgassen, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: Ich bau' auf Gott und Euryanthe (Gerard)Carl Maria von Weber, Gustav Neidlinger, Wilhelm Schirp, Wolfgang Windgassen, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: Selt'ne Gaste sind gekommen (Chorus)Carl Maria von Weber, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: Graf Lysiart, edle Ritter, seid willkommen! (Euryanthe)Carl Maria von Weber, Trude Eipperle, Maria Kinasiewicz, Gustav Neidlinger, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: Frohliche Klange, Tanze, Gesange (Euryanthe)Carl Maria von Weber, Trude Eipperle, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: O Grauen, ihre Freude anzuseh'n (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act I: Act I Scene 2: Er konnte mich um sie verschmah'n! (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: O Ungluckstag! Soll so mein Plan misslingen (Lysiart)Carl Maria von Weber, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: So weihe ich mich den Hassgewalten (Lysiart)Carl Maria von Weber, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: Drohe, Freund, doch eil nicht so davon (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: Glocklein im Tale (Euryanthe)Carl Maria von Weber, Trude Eipperle, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: Ihr seid noch wach, liebe Herrin (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Trude Eipperle, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 1: Sie schlaft (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Komm' denn, unser Werk zu vollenden (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: War es denn recht getan (Gerard)Carl Maria von Weber, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Sie ist mir nah! Mein Bangen war ein Traum! (Gerard)Carl Maria von Weber, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Hin nimm die Seele mein (Euryanthe, Gerard)Carl Maria von Weber, Trude Eipperle, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Seid gegrusst, ihr lieben Freunde (Chorus)Carl Maria von Weber, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: So froh seh' ich dich wieder! (King)Carl Maria von Weber, Wilhelm Schirp, Trude Eipperle, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Mein Konig! (Gerard)Carl Maria von Weber, Trude Eipperle, Wolfgang Windgassen, Gustav Neidlinger, Wilhelm Schirp, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Kennst du noch dieses Armbands Zierde (Lysiart)Carl Maria von Weber, Trude Eipperle, Wolfgang Windgassen, Gustav Neidlinger, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Ein Muttermal an sehr geheimer Stell (Lysiart)Carl Maria von Weber, Trude Eipperle, Wolfgang Windgassen, Gustav Neidlinger, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act II: Act II Scene 2: Entscheide, Richter, Burge dieser Wette (Lysiart)Carl Maria von Weber, Trude Eipperle, Wolfgang Windgassen, Gustav Neidlinger, Wilhelm Schirp, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 1: Es schwinden mir die Krafte (Euryanthe)Carl Maria von Weber, Trude Eipperle, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 1: Herr, der du mich in deinem Rat (Euryanthe)Carl Maria von Weber, Trude Eipperle, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 1: Der Hirsch schlich hierher, ich sah es doch genau (King)Carl Maria von Weber, Wilhelm Schirp, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 1: Lasst mich hier in Frieden sterben (Euryanthe)Carl Maria von Weber, Trude Eipperle, Wilhelm Schirp, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 1: Zu ihm, zu ihm! O weilet nicht! (Euryanthe)Carl Maria von Weber, Trude Eipperle, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Unheimlich ist's! Seht (Chorus)Carl Maria von Weber, Wolfgang Windgassen, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Ich kann nicht weiter! Todesschauer (Claudia)Carl Maria von Weber, Maria Kinasiewicz, Wolfgang Windgassen, Gustav Neidlinger, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Ihr alle habt gehort, was sie bekannte (Gerard)Carl Maria von Weber, Wolfgang Windgassen, Gustav Neidlinger, Maria Kinasiewicz, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Lasst ab von Kampf! Was soll der wilde Streit? (King)Carl Maria von Weber, Wilhelm Schirp, Wolfgang Windgassen, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Triumph! Triumph! Euryanthe tot! (Claudia)Carl Maria von Weber, Trude Eipperle, Maria Kinasiewicz, Wolfgang Windgassen, Gustav Neidlinger, Wilhelm Schirp, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Euryanthe, J. 291, Act III: Act III Scene 2: Ich knie vor dir wie vor einer Heil'gen (Gerard)Carl Maria von Weber, Wolfgang Windgassen, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Ferdinand Leitner
Carl Maria von Weber, born in 1786 in Eutin, was a pioneering figure in the Romantic era, renowned as a composer, conductor, and pianist. His innovative approach to opera and music theory left an indelible mark on the classical music landscape. Weber's tenure as an operatic director in cities like Prague and Dresden showcased his reform-oriented vision, aiming to elevate the operatic experience. Among his most celebrated works is the iconic opera "Der Freischütz," which solidified his status as one of the most influential German stage composers of the 19th century. Weber's legacy endures, making him a pivotal figure in the evolution of classical music.