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weill, brecht & hauptmann: l'opéra de quat'sous - kurt weill

Weill, Brecht & Hauptmann: L'opéra de quat'sous

Kurt Weill

2023
57 tracks
1 uur, 15 min
opera

Album Description

Immerse yourself in the timeless brilliance of "L'opéra de quat'sous," a captivating album that brings together the legendary talents of Kurt Weill, Bertolt Brecht, and Elisabeth Hauptmann. This recording, presented in a fresh French translation by Alexandre Pateau, captures the essence of the iconic "Threepenny Opera" in a way that is both innovative and faithful to the original vision.

Recorded live at the 2023 Festival d'Aix-en-Provence, this album features the renowned troupe of the Comédie-Française and the musicians of Le Balcon, conducted by Maxime Pascal. The performance is a testament to the enduring power of this groundbreaking work, which blends music, theater, and social commentary in a way that remains relevant and thought-provoking.

The album spans a full 75 minutes, encompassing 57 tracks that cover all three acts of the opera. From the haunting melodies of "La complaite de Mac-la Lame" to the energetic rhythms of "Chanson des canons," each piece is performed with precision and passion. The recording captures the raw energy and theatricality of the live performance, making it a standout addition to any classical music collection.

Kurt Weill's score, with its distinctive blend of jazz, cabaret, and classical elements, is brought to life by the exceptional musicians of Le Balcon. The Comédie-Française troupe delivers powerful, nuanced performances that highlight the sharp wit and social critique of Brecht's libretto. The result is a recording that is both a historical document and a vibrant, living piece of art.

"L'opéra de quat'sous" is not just a reimagining of a classic; it is a celebration of the enduring relevance of Weill, Brecht, and Hauptmann's collaboration. Whether you are a longtime fan of the opera or discovering it for the first time, this album offers a rich and rewarding listening experience. The album is released by Alpha Classics, a label known for its high-quality recordings and commitment to preserving and promoting classical music.

22 sep 20232023 Alpha Classics / Outhere Music France2023 Festival d'Aix-en-Provence, Comédie-Française, Le Balcon & Alpha Classics / Outhere Music France

Tracks

L’opéra de quat'sous, Act I: "Vous allez entendre"Kurt Weill, Thomas Ostermeier
0:16
L’opéra de quat'sous, Act I: OuvertureKurt Weill, Le Balcon, Maxime Pascal
1:42
L’opéra de quat'sous, Act I: "Une foire à Soho"Kurt Weill, Thomas Ostermeier
0:14
L’opéra de quat'sous, Act I: La complaite de Mac-la LameKurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron
3:16
L’opéra de quat'sous, Act I: "Pour répondre à l"endurcissement croissant"Kurt Weill, Thomas Ostermeier
0:22
L’opéra de quat'sous, Act I: Choral matinal de PeachumKurt Weill, Le Balcon, Maxime Pascal, Christian Hecq
0:50
L’opéra de quat'sous, Act I: "Pendant qu'elle raccomode les guenilles"Kurt Weill, Thomas Ostermeier
0:09
L’opéra de quat'sous, Act I: Pauv' Madame PeachumKurt Weill, Le Balcon, Maxime Pascal, Véronique Vella
2:58
L’opéra de quat'sous, Act I: "Madame Peachum apprend à Monsieur Peachum"Kurt Weill, Thomas Ostermeier
0:16
L’opéra de quat'sous, Act I: Rien à faire !Kurt Weill, Le Balcon, Maxime Pascal, Véronique Vella, Christian Hecq
1:41
L’opéra de quat'sous, Act I: Thème de la complainte jouée pianoKurt Weill, Le Balcon, Maxime Pascal
0:36
L’opéra de quat'sous, Act I: "Nous voilà transportés"Kurt Weill, Thomas Ostermeier
0:14
L’opéra de quat'sous, Act I: Chant nuptialKurt Weill, Le Balcon, Maxime Pascal, Nicolas Lormeau, Sefa Yeboah, Jordan Rezgui, Cédric Eeckhout
1:07
L’opéra de quat'sous, Act I: "Mac n'est pas satisfait"Kurt Weill, Thomas Ostermeier
0:16
L’opéra de quat'sous, Act I: Jenny-la-FlibusteKurt Weill, Le Balcon, Maxime Pascal, Marie Oppert
4:38
L’opéra de quat'sous, Act I: "C"est alors qu'apparaît Brown"Kurt Weill, Thomas Ostermeier
0:21
L’opéra de quat'sous, Act I: Chanson des canonsKurt Weill, Le Balcon, Maxime Pascal, Benjamin Lavernhe, Birane Ba
2:18
L’opéra de quat'sous, Act I: "Mais Tiger Brown se hâte de quitter les lieux"Kurt Weill, Thomas Ostermeier
0:12
L’opéra de quat'sous, Act I: Love songKurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert
1:44
L’opéra de quat'sous, Act I: Chanson des canons pour orchestreKurt Weill, Le Balcon, Maxime Pascal
1:39
L’opéra de quat'sous, Act I: "Nous revoici dans le vestiaire à gueux"Kurt Weill, Thomas Ostermeier
0:14
L’opéra de quat'sous, Act I: Chanson de BarbaraKurt Weill, Le Balcon, Maxime Pascal, Marie Oppert
5:16
L’opéra de quat'sous, Act I: "Monsieur et Madame Peachum déconseillent à leur fille"Kurt Weill, Thomas Ostermeier
0:11
L’opéra de quat'sous, Act I: Premier finale de quat'sousKurt Weill, Le Balcon, Maxime Pascal, Véronique Vella, Christian Hecq, Marie Oppert
3:40
L’opéra de quat'sous, Act II: "Jonathan Jeremiah Peachum a une riche idée"Kurt Weill, Thomas Ostermeier
0:33
L’opéra de quat'sous, Act II: MélodrameKurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert
1:40
L’opéra de quat'sous, Act II: Chanson de PollyKurt Weill, Le Balcon, Maxime Pascal, Marie Oppert
1:26
L’opéra de quat'sous, Act II: Love song pour orchestreKurt Weill, Le Balcon, Maxime Pascal
1:51
L’opéra de quat'sous, Act II: "Premier interlude"Kurt Weill, Thomas Ostermeier
0:06
L’opéra de quat'sous, Act II: Ballade de l'obsession sexuelleKurt Weill, Le Balcon, Maxime Pascal, Véronique Vella
4:10
L’opéra de quat'sous, Act II: "Mac-la-Lame ne s'est pas réfugié dans la lande de Highgate"Kurt Weill, Thomas Ostermeier
0:18
L’opéra de quat'sous, Act II: Tango-ballade / ballade du MacKurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre, Birane Ba
4:30
L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac pour orchestreKurt Weill, Le Balcon, Maxime Pascal
1:12
L’opéra de quat'sous, Act II: "Pendant que Macheath chantait"Kurt Weill, Thomas Ostermeier
0:31
L’opéra de quat'sous, Act II: Ballade de la vie à l"aiseKurt Weill, Le Balcon, Maxime Pascal, Birane Ba
2:30
L’opéra de quat'sous, Act II: "Mais le ciel des jeunes mariés s"assombrit déjà"Kurt Weill, Thomas Ostermeier
0:12
L’opéra de quat'sous, Act II: Duo de la jalousieKurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert
2:36
L’opéra de quat'sous, Act II: Thème de la complainte sur un rythme de valseKurt Weill, Le Balcon, Maxime Pascal
0:31
L’opéra de quat'sous, Act II: "Madame Peachum fait irruption dans la prison"Kurt Weill, Thomas Ostermeier
0:30
L’opéra de quat'sous, Act II: Deuxième finale de quat'sousKurt Weill, Chœur Passerelles, Le Balcon, Maxime Pascal, Véronique Vella, Birane Ba
3:29
L’opéra de quat'sous, Act III: "Cette nuit-là, Peachum se prépare à lancer sa grande offensive"Kurt Weill, Thomas Ostermeier
0:20
L’opéra de quat'sous, Act III: Chanson de la parfaite inutilité de l'effort humainKurt Weill, Le Balcon, Maxime Pascal, Christian Hecq
1:46
L’opéra de quat'sous, Act III: "Deuxième interlude"Kurt Weill, Thomas Ostermeier
0:06
L’opéra de quat'sous, Act III: Chanson de SalomonKurt Weill, Le Balcon, Maxime Pascal, Elsa Lepoivre
4:14
L’opéra de quat'sous, Act III: "Lutte pour la propriété"Kurt Weill, Thomas Ostermeier
0:09
L’opéra de quat'sous, Act III: Air de LucyKurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron
2:15
L’opéra de quat'sous, Act III: "Peachum s'est mis le chef de la police dans la poche"Kurt Weill, Thomas Ostermeier
0:23
L’opéra de quat'sous, Act III: Appel de Macheath à ses amisKurt Weill, Le Balcon, Maxime Pascal, Birane Ba
0:51
L’opéra de quat'sous, Act III: "Vendredi, cinq heures"Kurt Weill, Thomas Ostermeier
0:14
L’opéra de quat'sous, Act III: ÉpitapheKurt Weill, Le Balcon, Maxime Pascal, Birane Ba
4:09

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About Kurt Weill

Kurt Weill, born in Dessau, Germany, in 1900, was a pioneering composer whose innovative spirit bridged the worlds of classical music and theater. Best known for his collaborations with Bertolt Brecht, Weill's works often carried a sharp social commentary, reflecting his belief in music's power to serve a socially useful purpose. Their most famous collaboration, "The Threepenny Opera," introduced the iconic ballad "Mack the Knife" and revolutionized the musical theater landscape. Weill's compositions, ranging from operas to Broadway musicals, seamlessly blended various musical styles, including American popular music, ragtime, and jazz. His notable works include "Rise and Fall of the City of Mahagonny," "Knickerbocker Holiday," featuring the beloved "September Song," and "Lost in the Stars," which addressed the pressing issue of racism in South Africa. Weill's journey took him from his early years in Germany to his later life in the United States, where he became a naturalized citizen in 1943. His legacy endures as one of the most important and innovative composers of the 20th century.

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Weill, Brecht & Hauptmann: L'opéra de quat'sous

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