Weill: Das Berliner Requiem

Dive into the profound and evocative world of Paul Hillier's "Weill: Das Berliner Requiem," a masterful exploration of choral and avant-garde compositions that span the realms of minimalism, medieval influences, and Gregorian chant. Released on March 1, 2010, under the Glossa label, this album is a testament to Hillier's mastery and the rich tapestry of musical genres he navigates.

The centerpiece of the album is Kurt Weill's "Das Berliner Requiem," a powerful cantata for men's choir composed in 1928. This work, commissioned for a specific occasion, is a brilliant and beautiful set that showcases Weill's unique blend of spirituality and rich polyphony. Hillier's interpretation is deeply moving, subtly attentive to both the spiritual depth and the intricate polyphonic textures of the piece.

Beyond Weill, the album features a diverse range of compositions that highlight Hillier's versatility and the breadth of his musical vision. "Vom Tod im Wald, Op. 23" and "Der Tod" by Hindemith, along with Milhaud's "Cantate de la guerre, Op. 213" and "Cantate de la paix, Op. 166," add layers of complexity and depth. Stravinsky's "Octet for Wind Instruments" rounds out the collection, offering a contrasting yet complementary perspective.

With a duration of one hour and six minutes, this album is a rich and rewarding listening experience. Hillier's conducting, along with the contributions of the Estonian Philharmonic Chamber Choir and other esteemed musicians, ensures that each piece is performed with precision and passion. Whether you are a fan of choral music, minimalism, or avant-garde compositions, "Weill: Das Berliner Requiem" offers a compelling and enriching journey through some of the most significant works in these genres.