Winifred Atwell's self-titled album, released on July 1, 2011, is a vibrant collection of 28 tracks that showcase her mastery of ragtime, boogie-woogie, and honky-tonk piano styles. This album is a testament to Atwell's enduring legacy as a pioneering Trinidadian pianist who captivated audiences worldwide with her energetic and dynamic performances.
The album opens with "Cross Hands Boogie" and "Black and White Rag," immediately setting the tone with Atwell's signature blend of technical prowess and infectious rhythm. Tracks like "El Cumbanchero" and "Body and Soul" highlight her versatility, seamlessly transitioning between different musical genres. The inclusion of well-known pieces such as "Taboo," "Kitten On the Keys," and "The Charleston" offers a nostalgic journey through classic tunes, while original compositions like "Dinah Boogie" and "Five Finger Boogie" demonstrate her innovative spirit.
Atwell's playful and exuberant style is evident throughout the album, with tracks like "Crazy Words, Crazy Tune" and "Dill Pickles" showcasing her ability to infuse humor and charm into her music. The album also features a medley of party favorites in "Let's Have a Party," including "If You Knew Suzie," "The More We Are Together," and "Knees Up, Mother Brown," which are sure to get any listener tapping their feet.
Winifred Atwell's self-titled album is a celebration of her musical genius and a delightful exploration of her diverse repertoire. Whether you're a longtime fan or new to her music, this album offers a captivating experience that highlights the timeless appeal of her work.
Winifred Atwell, born in Trinidad, was a trailblazing pianist who captivated audiences across Britain and Australia in the 1950s with her electrifying performances of ragtime and boogie-woogie. Her journey from a classically trained pianist to a chart-topping sensation is nothing short of extraordinary. Atwell made history as the first black artist and the first female instrumentalist to achieve a number-one hit in the UK Singles Chart with her infectious track "Let's Have Another Party" in 1954. Known affectionately as 'The Queen of the Ivories,' her dynamic playing style and charismatic stage presence earned her the title of the most popular UK-based female entertainer of the decade. With over 20 million records sold, Atwell's legacy as a pioneer in music and entertainment continues to inspire.
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