Ermanno Wolf-Ferrari's captivating orchestral works are showcased in the album 'Wolf-Ferrari: Divertimento', released on 4 October 2011 by CPO. Under the masterful direction of Ulf Schirmer and performed by the Münchner Rundfunkorchester, this collection of pieces embodies the unique blend of German and Italian influences that defined Wolf-Ferrari's compositional style.
The album features a range of works, including the 'Triptychon in E Major, Op. 19', 'Arabesken in E Minor, Op. 22', and the titular 'Divertimento in D Major, Op. 20'. The 'Divertimento' itself is a delightful example of Wolf-Ferrari's ability to craft music that is both elegant and engaging, with its four movements showcasing a variety of moods and themes.
Also included is the 'Suite veneziano, Op. 18', a charming portrayal of Venetian life and scenery. From the tranquil 'Auf der Lagune' to the lively 'Festlicher Morgen', this suite is a testament to Wolf-Ferrari's skill in evoking the spirit of his beloved hometown.
With a total duration of 1 hour and 8 minutes, 'Wolf-Ferrari: Divertimento' is a must-listen for fans of orchestral music and those looking to discover the works of this underrated composer. Ulf Schirmer's thoughtful interpretation and the Münchner Rundfunkorchester's superb performance make this album a compelling addition to any classical music collection.
Ermanno Wolf-Ferrari, born in Venice in 1876 to a German father and an Italian mother, was a composer whose music beautifully blended the traditions of Italian opera buffa and German romanticism. Wolf-Ferrari is celebrated for his comic operas, many of which are based on the plays of Carlo Goldoni. His works, such as "Il segreto di Susanna" (1909), "Le donne curiose" (1903), "I quattro rusteghi" (1906), and "Il campiello" (1936), are renowned for their lyrical melodies, lightheartedness, and rich harmonic palette. In addition to his operatic compositions, Wolf-Ferrari also created instrumental works, including a violin concerto and a piano quintet, and taught at prestigious institutions like the Liceo Benedetto Marcello in Venice and the Mozarteum in Salzburg. His unique musical style, which combines Italian and German influences, continues to captivate audiences and musicians alike.
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