Ermanno Wolf-Ferrari's delightful comic opera, Il Segreto di Susanna, is a true masterpiece of early 20th-century music. This charming intermezzo in one act, premiered in Munich in 1909, tells the story of Count Gil, who suspects his wife, Countess Susanna, of having an affair, only to discover that her secret is, in fact, a penchant for smoking. The opera's lighthearted and humorous plot is brought to life by the talented Dora Rodrigues, Marc Canturri, and the Royal Liverpool Philharmonic Orchestra, conducted by Vasily Petrenko.
This album, released on 13 November 2020 by Universal Music Australia Pty. Ltd., features a stunning performance of the opera, with a runtime of 46 minutes. The tracklist includes the beautiful Overture, followed by a series of captivating arias and duets, such as "Mantiglia griga, cappellino rosa" and "Ah! L’odore fatal". The music is a perfect blend of wit, charm, and elegance, making it a must-listen for opera enthusiasts and newcomers alike.
With its beautiful music and amusing storyline, Il Segreto di Susanna is a wonderful introduction to the works of Ermanno Wolf-Ferrari, one of the most renowned composers of his time. So sit back, relax, and indulge in the delightful world of opera, as Dora Rodrigues, Marc Canturri, and the Royal Liverpool Philharmonic Orchestra bring this charming tale to life.
Ermanno Wolf-Ferrari, born in Venice in 1876 to a German father and an Italian mother, was a composer whose music beautifully blended the traditions of Italian opera buffa and German romanticism. Wolf-Ferrari is celebrated for his comic operas, many of which are based on the plays of Carlo Goldoni. His works, such as "Il segreto di Susanna" (1909), "Le donne curiose" (1903), "I quattro rusteghi" (1906), and "Il campiello" (1936), are renowned for their lyrical melodies, lightheartedness, and rich harmonic palette. In addition to his operatic compositions, Wolf-Ferrari also created instrumental works, including a violin concerto and a piano quintet, and taught at prestigious institutions like the Liceo Benedetto Marcello in Venice and the Mozarteum in Salzburg. His unique musical style, which combines Italian and German influences, continues to captivate audiences and musicians alike.
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