Banquet

Album Description

Mark Dresser's "Banquet" is a captivating journey into the realms of free jazz and avant-garde music, released in 1997 under the esteemed Tzadik label. This 38-minute album is a testament to Dresser's innovative spirit and his ability to push the boundaries of contemporary music. The album features four movements and a poignant piece titled "Loss of the Innocents," showcasing Dresser's deep expressive range and technical prowess.

"Banquet" is a collaborative effort, featuring notable musicians such as Marcus Rojas on tuba. The title track is a double concerto for flute, string quartet, and bass, highlighting Dresser's versatility and his ability to blend various instruments into a cohesive and dynamic sound. The album's avant-garde approach is balanced with moments of lyrical beauty, making it a compelling listen for both jazz enthusiasts and those new to the genre.

Mark Dresser's "Banquet" is not just an album; it's an exploration of sound and emotion, a testament to the power of improvisation and the endless possibilities of jazz. Whether you're a seasoned listener or a curious newcomer, "Banquet" offers a rich and rewarding experience that showcases the best of contemporary jazz and avant-garde music.

18 november 1997

1997 Tzadik

About Mark Dresser

Mark Dresser is a Grammy-nominated, internationally acclaimed double bass player, composer, and improviser, renowned for his innovative approach to his instrument and his expansive musical vision. Born in Los Angeles, Dresser has been a pivotal figure in the avant-garde and free jazz scenes since the 1970s, collaborating with luminaries such as Anthony Braxton, Henry Threadgill, and Myra Melford. His work is characterized by a deep commitment to exploring the sonic and expressive possibilities of the contrabass, often blurring the lines between jazz, new music, and improvisation. Dresser's extensive discography, featuring over 130 CDs, showcases his versatility and artistic prowess. In addition to his performing career, Dresser is a dedicated educator, currently serving as a professor at the University of California, San Diego. His interdisciplinary collaborations and pioneering work in telematic performance further cement his status as a forward-thinking artist in the contemporary music landscape.