Mark Dresser's "Marinade," released on December 5, 2000, under the Tzadik label, is a captivating exploration of free jazz and avant-garde music that showcases the full spectrum of Dresser's compositional prowess. As a nine-year veteran of the Anthony Braxton Quartet and a pivotal figure in the avant-garde scene, Dresser delivers a collection of tracks that push the boundaries of conventional jazz, offering a rich and dynamic listening experience.
The album spans a total of 72 minutes and includes eight tracks, each offering a unique blend of improvisational brilliance and intricate composition. From the energetic "Ricochet" to the contemplative "Air To Mir," and the rhythmic complexity of "Spin X," Dresser's bass playing is both virtuosic and deeply expressive. The album also features collaborations with notable musicians, adding layers of depth and variety to the sound.
"Marinade" is a testament to Dresser's innovative approach to jazz, blending traditional elements with avant-garde experimentation. The album's production, mixed by Jon Rosenberg, ensures a crisp and immersive audio experience. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Marinade" offers a compelling journey through the creative mind of one of the genre's most visionary artists.
Mark Dresser is a Grammy-nominated, internationally acclaimed double bass player, composer, and improviser, renowned for his innovative approach to his instrument and his expansive musical vision. Born in Los Angeles, Dresser has been a pivotal figure in the avant-garde and free jazz scenes since the 1970s, collaborating with luminaries such as Anthony Braxton, Henry Threadgill, and Myra Melford. His work is characterized by a deep commitment to exploring the sonic and expressive possibilities of the contrabass, often blurring the lines between jazz, new music, and improvisation. Dresser's extensive discography, featuring over 130 CDs, showcases his versatility and artistic prowess. In addition to his performing career, Dresser is a dedicated educator, currently serving as a professor at the University of California, San Diego. His interdisciplinary collaborations and pioneering work in telematic performance further cement his status as a forward-thinking artist in the contemporary music landscape.
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