English 18th-Century Keyboard Concertos

Dive into the rich tapestry of English Baroque music with "English 18th-Century Keyboard Concertos" by The Parley of Instruments, conducted by Paul Nicholson. Released in 1994 on the Hyperion label, this album is a captivating journey through the works of some of Britain's most talented yet underappreciated composers of the mid-18th century. Spanning a generous 76 minutes, this collection features a diverse array of concertos for organ, harpsichord, and early piano, each piece meticulously performed by The Parley of Instruments, known for their authenticity and historical accuracy.

The album opens with a stirring Chaconne in G Major by Handel, followed by a series of concertos that showcase the virtuosity and expressive range of the keyboard instruments of the era. From the lively Allegros to the serene Adagios, each movement is a testament to the composers' ingenuity and the ensemble's technical prowess. Notable works include the Harpsichord Concerto in A Major, Op. 2 No. 2, and the Piano Concerto No. 4 in A Major, both of which highlight the delicate balance between soloist and orchestra.

Paul Nicholson's conducting brings a sense of cohesion and vitality to the performances, ensuring that each piece is presented with clarity and depth. The Parley of Instruments, with their commitment to historical performance practices, provide an authentic and engaging experience, making this album a treasure trove for both Baroque enthusiasts and classical music lovers alike. Whether you're familiar with the works of these composers or discovering them for the first time, "English 18th-Century Keyboard Concertos" offers a compelling exploration of a often overlooked but rich period in English music history.

The Parley of Instruments is a pioneering early music ensemble based in London, founded in 1979 by the visionary duo of Peter Holman and violinist Roy Goodman. Named after the historic concerts organized by violinist John Banister in 1676, this group is renowned for its deep dive into the rich repertoire of Renaissance and Baroque string consort music. Under the baton of its co-founders, The Parley of Instruments has not only revived forgotten musical treasures but also blazed trails with groundbreaking recordings, notably the Hyperion English Orpheus series, which has significantly contributed to the understanding and appreciation of English eighteenth-century music. With core members including Judy Tarling, Theresa Caudle, and Mark Caudle, the ensemble continues to captivate audiences with its scholarly approach and vibrant performances, making it a standout in the world of early music.