Experience the enchanting choral works of two remarkable musical siblings, Fanny Hensel and Felix Mendelssohn, brought to life by the esteemed Crouch End Festival Chorus and the London Mozart Players. Under the skilled direction of conductor David Temple, this album showcases the profound and captivating compositions of these esteemed musicians.
The album opens with Felix Mendelssohn's festive chorale cantata "Vom Himmel hoch," a sparkling and uplifting piece that sets the tone for the entire collection. This work is followed by Fanny Hensel's powerful cantata "Hiob," based on the Book of Job, which was composed in 1831 but remained unpublished until 1992. This cantata is a testament to Hensel's deep musical and literary sensibilities, offering a profound exploration of faith and suffering.
The album also features Hensel's "Gartenlieder," a delightful set of songs that evoke the beauty and tranquility of nature. These pieces are interspersed with Mendelssohn's "Die erste Walpurgisnacht," a dramatic and evocative work that tells the story of a group of pagans who resist the spread of Christianity. The album concludes with a stirring performance of Mendelssohn's choral works, demonstrating the composer's mastery of the form.
Recorded in Hampstead in November 2022, this album is a testament to the skill and dedication of the Crouch End Festival Chorus and the London Mozart Players, as well as the formidable group of soloists who contribute to its success. With a running time of 1 hour and 11 minutes, this album is a rich and rewarding listening experience that showcases the best of choral music. Whether you're a fan of classical music or simply looking to explore something new, this album is sure to captivate and inspire.
2024 Chandos Records Ltd.2024 Chandos Records Ltd.
Tracks
Vom Himmel hoch, MWV A22: I. Coro "Vom Himmel hoch"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Vom Himmel hoch, MWV A22: II. Aria "Es ist der Her Christ, unser Gott"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Vom Himmel hoch, MWV A22: III. Choral "Er bringt euch alle Seligkeit"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Vom Himmel hoch, MWV A22: IV. Aria "Sei willekomm, du elder Gast"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Vom Himmel hoch, MWV A22: V. Arioso "Das also hat gefallen dir"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Vom Himmel hoch, MWV A22: VI. Schlußchor "Lob, Ehr sei Gott im höchsten Thron"Felix Mendelssohn, Julia Doyle, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Hiob, H-U 258: I. Chor "Was ist ein Mensch, daß du ihn groß achtest"Fanny Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple
Hiob, H-U 258: II. Arioso "Warum verbirgest du dein Antlitz?"Fanny Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple
Hiob, H-U 258: III. Chor "Leben und Wohltat hast du an mir getan"Fanny Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple
Gartenlieder, Op. 3: I. Hörst du nicht die Bäume rauchen, H-U 421Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Gartenlieder, Op. 3: II. Schöne Fremde, H-U 437Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Gartenlieder, Op. 3: III. Im Herbste III, H-U 430Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Gartenlieder, Op. 3: IV. Morgengruß I, H-U 432Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Gartenlieder, Op. 3: V. Abendlich schon rauscht der Wald, H-U 422Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Gartenlieder, Op. 3: VI. Im Wald, H-U 418Fanny Mendelssohn, Crouch End Festival Chorus, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: Overture. Das schlechte WetterFelix Mendelssohn, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: Overture. Der Übergang zum FrühlingFelix Mendelssohn, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: I. Ein DruideFelix Mendelssohn, Marc Le Brocq, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: II. Eine alte Frau aus dem VolkeFelix Mendelssohn, Jess Dandy, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: III. Der PriesterFelix Mendelssohn, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: IV. Chor der Wächter der DruidenFelix Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: V. Ein Wächter der DruidenFelix Mendelssohn, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: VI. Chor der Wächter der Druiden und des HeidenwolksFelix Mendelssohn, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: VII. L'istesso tempo - Der PriesterFelix Mendelssohn, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: VIII. Ein christlicher WächterFelix Mendelssohn, Marc Le Brocq, Crouch End Festival Chorus, London Mozart Players, David Temple
Die erste Walpurgisnacht, Op. 60, MWV D3: IX. Der PriesterFelix Mendelssohn, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple
The Crouch End Festival Chorus (CEFC) is a dynamic symphonic choir based in north London, renowned for its diverse and eclectic repertoire that spans traditional choral works, contemporary classical pieces, and even rock, pop, and film music. Founded in 1984 by David Temple and John Gregson, the choir has built a stellar reputation both nationally and internationally. With a unique audition process that prioritizes vocal quality over sight-reading, CEFC ensures a focus on exceptional singing. Led by a self-taught music director, the choir performs five concerts annually in various venues across central and north London, delivering innovative and exciting programs that captivate audiences. Their performances are known for their emotional depth and technical prowess, making them one of Britain's leading symphonic choirs.
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