Florilegium selectissimorum Hymnorum: Hymnus: Sit laus, honor et gloriaEnsemble Florilegium, Georg Christoph Biller
Die Elenden sollen essen (Cantata BWV 75): I. Die Elenden sollen essenThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
Die Elenden sollen essen (Cantata BWV 75): II. Was hilft des Purpurs MajestätGewandhausorchester, Georg Christoph Biller, Matthias Weichert
Die Elenden sollen essen (Cantata BWV 75): III. Mein Jesu soll mein alles sein!Gewandhausorchester, Georg Christoph Biller, Christoph Genz
Die Elenden sollen essen (Cantata BWV 75): IV. Gott stürzet und erhöhetGewandhausorchester, Georg Christoph Biller, Christoph Genz
Die Elenden sollen essen (Cantata BWV 75): V. Ich nehme mein Leiden mit Freuden auf michGewandhausorchester, Georg Christoph Biller, Friedrich Praetorius
Die Elenden sollen essen (Cantata BWV 75): VI. Indes schenkt Gott ein gut GewissenGewandhausorchester, Georg Christoph Biller, Friedrich Praetorius
Die Elenden sollen essen (Cantata BWV 75): VII. Was Gott tut, das ist wohlgetan; muss ich den Kelch gleich schmeckenThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
Die Elenden sollen essen (Cantata BWV 75): VIII. SinfoniaGewandhausorchester, Georg Christoph Biller
Die Elenden sollen essen (Cantata BWV 75): IX. Nur eines kränkt ein christliches GemüteGewandhausorchester, Georg Christoph Biller, Stefan Kahle
Die Elenden sollen essen (Cantata BWV 75): X. Jesus macht mich geistlich reichGewandhausorchester, Georg Christoph Biller, Stefan Kahle
Die Elenden sollen essen (Cantata BWV 75): XI. Wer nur in Jesu bleibtGewandhausorchester, Georg Christoph Biller, Matthias Weichert
Die Elenden sollen essen (Cantata BWV 75): XII. Mein Herze glaubt und liebtGewandhausorchester, Georg Christoph Biller, Matthias Weichert
Die Elenden sollen essen (Cantata BWV 75): XIII. O Armut, der kein Reichtum gleicht!Gewandhausorchester, Georg Christoph Biller, Christoph Genz
Die Elenden sollen essen (Cantata BWV 75): XIV. Was Gott tut, das ist wohlgetan, dabei will ich verbleibenThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
Florilegium selectissimorum Hymnorum: Hymnus: O lux beata TrinitasEnsemble Florilegium, Georg Christoph Biller
Höchsterwünschtes Freudenfest (Cantata BWV 194): I. Höchsterwünschtes FreudenfestThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
Höchsterwünschtes Freudenfest (Cantata BWV 194): II. Unendlich großer GottGewandhausorchester, Georg Christoph Biller, Georg Streuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): III. Was des Höchsten Glanz erfülltGewandhausorchester, Georg Christoph Biller, Georg Streuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): IV. Wie könnte dir, du höchstes AngesichtGewandhausorchester, Georg Christoph Biller, Friedrich Praetorius
Höchsterwünschtes Freudenfest (Cantata BWV 194): V. Hilf, Gott, dass es uns gelingtGewandhausorchester, Georg Christoph Biller, Conrad Zuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): VI. Heilger Geist ins Himmels ThroneThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
Höchsterwünschtes Freudenfest (Cantata BWV 194): VII. Ihr Heiligen, erfreuet euchGewandhausorchester, Georg Christoph Biller, Martin Petzold
Höchsterwünschtes Freudenfest (Cantata BWV 194): VIII. Des Höchsten Gegenwart alleinGewandhausorchester, Georg Christoph Biller, Martin Petzold
Höchsterwünschtes Freudenfest (Cantata BWV 194): IX. Kann wohl ein Mensch zu Gott im Himmel steigen?Gewandhausorchester, Georg Christoph Biller, Johann Beyer, Georg Streuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): X. O wie wohl ist uns geschehnGewandhausorchester, Georg Christoph Biller, Johann Beyer, Georg Streuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): XI. Wohlan demnach, du heilige GemeineGewandhausorchester, Georg Christoph Biller, Georg Streuber
Höchsterwünschtes Freudenfest (Cantata BWV 194): XII. Sprich Ja zu meinen TatenThomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller
The Thomanerchor Leipzig is a renowned boys' choir with a rich history dating back over 800 years, making it the oldest cultural institution in the city of Leipzig, Germany. Founded in 1212, this esteemed choir comprises about 90 boys aged 9 to 18, who reside in a boarding school and attend the St. Thomas School, known for its linguistic and musical education. The Thomanerchor Leipzig is particularly famous for its association with Johann Sebastian Bach, who served as the Thomaskantor, directing the choir and church music from 1723 to 1750. The choir's performances are a testament to centuries of vocal tradition, offering a unique blend of historical significance and musical excellence. Their repertoire, which includes beautiful Christmas music, continues to captivate audiences worldwide.
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2016 Rondeau Production GmbH2016 Rondeau Production GmbH
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Immerse yourself in the sacred and sublime with the Thomanerchor Leipzig's rendition of Johann Sebastian Bach's Cantatas BWV 75 and BWV 194. Released on September 23, 2013, under the Rondeau Production label, this Christmas-themed album is a testament to the enduring power and beauty of Bach's choral works.
The Thomanerchor Leipzig, one of the oldest and most renowned boys' choirs in the world, brings their unparalleled expertise and angelic voices to these cantatas, delivering a performance that is both technically impressive and spiritually uplifting. The album features a total of 26 tracks, spanning over an hour and 18 minutes, and includes the complete cantatas "Die Elenden sollen essen" (BWV 75) and "Höchsterwünschtes Freudenfest" (BWV 194), as well as two hymns from the "Florilegium selectissimorum Hymnorum."
The cantatas are a feast for the ears, showcasing Bach's mastery of choral writing and his ability to convey deep emotional and spiritual themes through music. The Thomanerchor Leipzig's performance is marked by its clarity, precision, and expressiveness, with each voice blending seamlessly to create a sound that is both powerful and ethereal.
The album opens with the hymn "Sit laus, honor et gloria" from the "Florilegium selectissimorum Hymnorum," setting the tone for the sacred and reverent mood that follows. The cantata "Die Elenden sollen essen" (BWV 75) is a meditation on the theme of spiritual poverty and the riches of faith, while "Höchsterwünschtes Freudenfest" (BWV 194) is a joyful celebration of the incarnation of Christ.
The Thomanerchor Leipzig's performance of these cantatas is a reminder of the timeless power of Bach's music and the enduring relevance of its spiritual message. Whether you are a seasoned Bach enthusiast or a newcomer to the world of choral music, this album is sure to inspire and uplift.