Christina Pluhar's 'Orfeo Chaman' is a captivating musical journey that delves into the realms of medieval sounds. Released on 7 October 2016 by Erato/Warner Classics, this enchanting album weaves a rich tapestry of emotions, transporting listeners to a bygone era. With a duration of 1 hour and 9 minutes, 'Orfeo Chaman' is a masterful blend of traditional and contemporary elements, showcasing Pluhar's innovative approach to medieval music.
The album's tracklist is a testament to Pluhar's meticulous craftsmanship, featuring an array of hauntingly beautiful pieces, including 'Prologue: La selva', 'Passacaglia di Eurídice', and 'Lamento de Orfeo'. The incorporation of traditional songs, such as 'Pajarillo' and 'Zumba che zumba', adds a touch of authenticity, while Pluhar's own compositions, like 'O eterno' and 'Aristeo intentó', demonstrate her remarkable skill as a composer.
Through 'Orfeo Chaman', Pluhar invites listeners to immerse themselves in a world of myth and legend, where the boundaries between past and present blur. With its unique blend of medieval and contemporary influences, this album is a must-listen for anyone fascinated by the beauty and complexity of early music. As a testament to Pluhar's artistry, 'Orfeo Chaman' is an unforgettable listening experience that will leave a lasting impression on all who hear it.
Christina Pluhar is a versatile and acclaimed musician, renowned for her mastery of the theorbo, harp, and lute, as well as her dynamic conducting skills. Born in Graz, Austria, Pluhar's journey into early music began after her classical guitar studies, leading her to the Royal Conservatory of The Hague and the Schola Cantorum Basiliensis. In 2000, she founded L'Arpeggiata, an innovative early music ensemble that blends Baroque repertoire with diverse musical traditions, creating a unique and captivating sound.
Under Pluhar's direction, L'Arpeggiata has gained international acclaim for its thematic performances and recordings, often featuring improvisations and collaborations with jazz musicians. The ensemble's distinctive style, centered around a rich core of plucked stringed instruments, is instantly recognizable and has enchanted audiences worldwide. Pluhar's meticulous musicological research and open spirit have made L'Arpeggiata a pioneer in the early music scene, pushing boundaries and challenging conventions. Her work with the ensemble has resulted in numerous acclaimed albums, showcasing her deep understanding and passion for the music of the Renaissance and Baroque periods.
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