Edison's Swing Circuit

Album Description

Experience the timeless elegance of Harry "Sweets" Edison's trumpet mastery with "Edison's Swing Circuit," a captivating collection of jazz, hard bop, and bebop tracks that showcase his distinctive style and unparalleled skill. Released on December 12, 2012, by VintageVibe Records, this album is a testament to Edison's enduring legacy in the world of jazz.

"Edison's Swing Circuit" features 12 enchanting tracks, including fan favorites like "Oh! How I Hate to Get up in the Afternoon," "Blues in the Closet," and "How Am I to Know?" The album spans a generous 1 hour and 23 minutes, offering a rich and immersive listening experience. Originally, some of these songs were released on earlier albums like "The Swinger" and "Mr. Swing," while others, such as "How Am I to Know" and "Blues in the Closet," were issued for the first time during the digital era.

Harry "Sweets" Edison, a master trumpeter, was renowned for his smooth and lyrical playing style, earning him a place among the greats in the swing and big band era. A mainstay in the Count Basie Orchestra, Edison's contributions to jazz are immeasurable. His ability to create energy and excitement with each chorus is evident throughout this album, making it a standout in his discography.

Whether you're a longtime fan of Harry "Sweets" Edison or a newcomer to his music, "Edison's Swing Circuit" is a delightful journey through the golden age of jazz. The album's blend of classic and newly released tracks offers a comprehensive look at Edison's artistry, showcasing his versatility and enduring appeal.

12 december 2012

2012 VintageVibe Records

About Harry "Sweets" Edison

Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.

Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.

Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.